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    Modeling and Control of Systems In Engineering, Quantum Mechanics, Economics and Biosciences Proceedings of the Bellman Continuum Workshop 1988, J (Lecture Notes in Control and Information Sciences) Springer-Verlag?　France) Bellman Continuum Workshop 1988 (Sophia-Antipolis?　Austin Blaquiere?　 Springer-Verlag?　France)BellmanContinuumWorkshop1988(Sophia-Antipolis?　AustinBlaquiere?　ジャンル別?　Substores-UnknownASINs-9?　Subjects-Engineering-General?　Subjects-Engineering-Mechanical-General?　Subjects-Engineering-Mechanical-ControlEngineering-General?　Subjects-Professional&Technical-Engineering-Mechanical-General?　 Subjects-Professional&Technical-Engineering-Mechanical-ControlEngineering-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General Toxic Organic Chemicals in Porous Media (Ecological Studies) Springer-Verlag?　Z. Gerstl?　Y. Chen?　U. Mingelgrin?　B. Yaron?　 Springer-Verlag?　Z.Gerstl?　Y.Chen?　U.Mingelgrin?　B.Yaron?　ジャンル別?　Substores-UnknownASINs-9?　Subjects-Engineering-Civil-Environmental-General　Subjects-Engineering-Civil-Environmental-Pollution-General?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-Civil-Environmental-General　 Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General Performance Indicators in Logistics Springer-Verlag?　P. R. H. Van Der Meulen?　 Springer-Verlag?　P.R.H.VanDerMeulen?　ジャンル別?　Substores-UnknownASINs-9?　Subjects-Business&Investing-Management&Leadership-Leadership?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Leadership?　Subjects-Science-General　Subjects-Science-Mathematics-General? Sensor Devices and Systems for Robotics (Nato a S I Series Series III, Computer and Systems Sciences) Springer-Verlag?　Alicia Casals?　 Springer-Verlag?　AliciaCasals?　ジャンル別?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ComputerMathematics?　Subjects-Engineering-ComputerTechnology-Robotics&Automation?　Subjects-Engineering-General?　Subjects-Engineering-Mechanical-General?　Subjects-Engineering-Mechanical-Robotics?　 Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation?　Subjects-Professional&Technical-Engineering-Mechanical-General?　Subjects-Professional&Technical-Engineering-Mechanical-Robotics?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General Computer Assisted Radiology Proceedings of the 3rd International Symposium Car '89 Computer Assisted Radiology/Computergestutzte Radiologie Vort Springer-Verlag?　H. U. Hemke?　Margaret L. Rhodes?　C. C. Jaffe?　R. Felix?　 Springer-Verlag?　H.U.Hemke?　MargaretL.Rhodes?　C.C.Jaffe?　R.Felix?　ジャンル別?　Substores-UnknownASINs-9?　Subjects-Engineering-General?　Subjects-Medicine-SpecialTopics-Biotechnology?　Subjects-Professional&Technical-Engineering-General　Subjects-Professional&Technical-Medical-BasicSciences-Biotechnology?　Subjects-Science-Medicine-SpecialTopics-Biotechnology? Intelligent CAD Systems II Implementational Issues (Eurographicseminars) Springer-Verlag?　V. Akman?　P. J. W. Ten Hagen?　P. J. Veerkamp?　 Springer-Verlag?　V.Akman?　P.J.W.TenHagen?　P.J.Veerkamp?　ジャンル別?　Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM?　 Subjects-Computers&Internet-Software-Design&Development-SoftwareDesign?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General?　Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM?　Subjects-Computers&Internet-General?　Subjects-Engineering-ComputerTechnology-CAD&CAM?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-ComputerTechnology-CAD&CAM?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? Pcb Assembly Systems, 1989 The International Directory of Smt/Insertion Equipment (P C B Assembly Systems) Springer-Verlag?　T. Leicht?　R. D. Schraft?　E. Wolf?　 Springer-Verlag?　T.Leicht?　R.D.Schraft?　E.Wolf?　ジャンル別?　Substores-UnknownASINs-61?　Subjects-Engineering-General?　Subjects-Engineering-Electrical&Electronics-Electronics-Components?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Components?　Subjects-Science-General Nonlinear Optics of Organics and Semiconductors Proceedings (Springer Proceedings in Physics) Springer-Verlag?　T. Kobayashi?　 Springer-Verlag?　T.Kobayashi?　ジャンル別?　Substores-UnknownASINs-9?　Subjects-Engineering-Chemical-Materials?　Subjects-Engineering-Electrical&Electronics-Optics-Lasers?　Subjects-Engineering-General?　Subjects-Engineering-MaterialsScience-General?　Subjects-Professional&Technical-Engineering-Chemical-Materials?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-Lasers?　Subjects-Professional&Technical-Engineering-MaterialsScience-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Professional&Technical-Medical-BasicSciences-Chemistry?　Subjects-Professional&Technical-ProfessionalScience-Physics-General?　Subjects-Science-Chemistry-Physical&Theoretical-PhysicalChemistry?　Subjects-Science-General　Subjects-Science-Physics-General? Stochastic Integral Equations and Rainfall Runoff Models Springer-Verlag?　Theodore V., II Hromadka?　Robert J. Whitley?　 Springer-Verlag?　TheodoreV.,IIHromadka?　RobertJ.Whitley?　ジャンル別?　Substores-UnknownASINs-9?　Subjects-Engineering-Civil-Environmental-Hydrology?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-Civil-Environmental-Hydrology?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General?　Subjects-Science-EarthSciences-Geography-General?　Subjects-Science-EarthSciences-Geology-General?　Subjects-Science-EarthSciences-Geology-Hydrology?　Subjects-Science-General　Subjects-Science-Mathematics-Applied-General? Automotive Simulation Proceedings of the 2nd European Cars/Trucks Simulation Symposium, Schliersee, Frg, May 1989 Springer-Verlag?　Moshe R. Heller?　 Springer-Verlag?　MosheR.Heller?　ジャンル別?　Subjects-Engineering-Automotive-General?　Subjects-Engineering-General?　Subjects-Nonfiction-Automotive-Trucks&Vans?　Subjects-Professional&Technical-Engineering-Automotive-General?　Subjects-Professional&Technical-Engineering-General Advanced Manufacturing Strategy Management Springer-Verlag?　Douglas K. MacBeth?　 Springer-Verlag?　DouglasK.MacBeth?　ジャンル別?　Substores-UnknownASINs-9?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General Cad/Cam Robotics and Factories of the Future Integration of Design, Analysis and Manufacturing 3rd International Conference on Cad/Cam Robotics an Springer-Verlag?　Biren Prasad?　 Springer-Verlag?　BirenPrasad?　ジャンル別?　Substores-UnknownASINs-9?　Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-Robotics?　Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM?　Subjects-Engineering-General?　 Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing?　 Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? Cad/Cam Robotics and Factories of the Future Automation of Design, Analysis and Manufacturing 3rd International Conference on Cad/Cam Robotics and Springer-Verlag?　International Conference on CAD?　CARS & FOF (3rd 1988 Southfield, Mich.) CAM?　Birendra Prasad?　 Springer-Verlag?　InternationalConferenceonCAD?　CARS&FOF(3rd 1988 Southfield,Mich.)CAM?　BirendraPrasad?　ジャンル別?　Substores-UnknownASINs-9?　Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-Robotics?　Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? Cad/Cam Robotics and Factories of the Future Robotics and Plant Automation 3rd International Conference on Cad/Cam Robotics and Factories of the F Springer-Verlag?　International Conference on CAD?　CARS & FOF (3rd 1988 Southfield, Mich.) CAM?　Birendra Prasad?　 Springer-Verlag?　InternationalConferenceonCAD?　CARS&FOF(3rd 1988 Southfield,Mich.)CAM?　BirendraPrasad?　ジャンル別?　Substores-UnknownASINs-9?　Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-Robotics?　Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? Cad/Cam Robotics and Factories of the Future Integration of Design, Analysis and Manufacturing Springer-Verlag?　International Conference on CAD?　CARS & FOF (3rd 1988 Southfield, Mich.) CAM?　Birendra Prasad?　 Springer-Verlag?　InternationalConferenceonCAD?　CARS&FOF(3rd 1988 Southfield,Mich.)CAM?　BirendraPrasad?　ジャンル別?　Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM?　Subjects-Business&Investing-Management&Leadership-Systems&Planning?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-Robotics?　Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM?　Subjects-Engineering-General?　Subjects-Engineering-Mechanical-Robotics?　Subjects-Professional&Technical-Engineering-Mechanical-Robotics?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM?　 Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Systems&Planning? Advances in Fluid Mechanics Measurements (Lecture Notes in Engineering) Springer-Verlag?　M. Gad-El-Hak?　 Springer-Verlag?　M.Gad-El-Hak?　ジャンル別?　Subjects-Engineering-General?　Subjects-Engineering-MaterialsScience-General?　Subjects-Engineering-Mechanical-FluidMechanics?　Subjects-Professional&Technical-Engineering-MaterialsScience-General?　 Subjects-Professional&Technical-Engineering-Mechanical-FluidMechanics?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-ProfessionalScience-Physics-Mechanics?　Subjects-Science-General　Subjects-Science-Physics-Mechanics?　Subjects-Science-Physics-FluidMechanics? Knowledge-Based Control With Applications to Robots (Lecture Notes in Control and Information Sciences) Springer-Verlag?　C. W. De Silva?　A. G. J. Macfarlane?　 Springer-Verlag?　C.W.DeSilva?　A.G.J.Macfarlane?　ジャンル別?　 Subjects-Computers&Internet-Networking-DataintheEnterprise-ExpertSystems?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-Robotics?　Subjects-Engineering-ComputerTechnology-Robotics&Automation?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Engineering-General?　Subjects-Engineering-Mechanical-General?　Subjects-Engineering-Mechanical-Robotics?　 Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Professional&Technical-Engineering-Mechanical-General?　Subjects-Professional&Technical-Engineering-Mechanical-Robotics?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General Control of Partially-Know Dynamical Systems (Lecture Notes in Control and Information Sciences, 124) Springer-Verlag?　Ahamd A. Bahnasawi?　M.S. Mahmoud?　 Springer-Verlag?　AhamdA.Bahnasawi?　M.S.Mahmoud?　ジャンル別?　Substores-UnknownASINs-9?　Subjects-Computers&Internet-Software-Business-ControlSystems?　Subjects-Engineering-ComputerTechnology-Robotics&Automation?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Engineering-General?　Subjects-Engineering-Mechanical-General?　Subjects-Engineering-Mechanical-Robotics?　 Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Professional&Technical-Engineering-Mechanical-General?　Subjects-Professional&Technical-Engineering-Mechanical-Robotics?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General Ultrasonic Testing of Materials Springer-Verlag?　Josef Krautkramer?　Herbert Krautkramer?　 Springer-Verlag?　JosefKrautkramer?　HerbertKrautkramer?　ジャンル別?　Substores-UnknownASINs-9?　Subjects-Engineering-General?　Subjects-Engineering-Materials-Testing?　Subjects-Engineering-MaterialsScience-General?　Subjects-Professional&Technical-Engineering-MaterialsScience-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Professional&Technical-Engineering-Materials-Testing?　 Subjects-Professional&Technical-ProfessionalScience-Physics-Nanostructures?　Subjects-Science-General　Subjects-Science-History&Philosophy-HistoryofScience?　Subjects-Science-Physics-Nanostructures? Control of Boundaries and Stabilization Proceedings of the Ifip Wg 7.2 Conference Clermont Ferrand, France, June 20-23, 1988 (Lecture Notes in Cont) Springer-Verlag?　J. Simon?　 Springer-Verlag?　J.Simon?　ジャンル別?　Substores-UnknownASINs-9?　Subjects-Engineering-ComputerTechnology-Robotics&Automation?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Engineering-General?　Subjects-Engineering-Mechanical-Robotics?　Subjects-Engineering-Mechanical-ControlEngineering-General?　 Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Professional&Technical-Engineering-Mechanical-Robotics?　 Subjects-Professional&Technical-Engineering-Mechanical-ControlEngineering-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General Lasers in Manufacturing Proceedings of the 6th International Conference, 10-11 May 1989, Birmingham, Uk Springer-Verlag?　W. M. Steen?　 Springer-Verlag?　W.M.Steen?　ジャンル別?　Substores-UnknownASINs-9?　Subjects-Engineering-Electrical&Electronics-Optics-Lasers?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-Lasers?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General Computer Aided Optimum Design of Structures Applications Springer-Verlag?　C. A. Brebbia?　S. Hernandez?　 Springer-Verlag?　C.A.Brebbia?　S.Hernandez?　ジャンル別?　 Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-Networks?　Subjects-Engineering-Civil-Structural?　Subjects-Engineering-ComputerTechnology-CAD&CAM?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-Civil-Structural?　 Subjects-Professional&Technical-Engineering-ComputerTechnology-CAD&CAM?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General?　Subjects-Science-Mathematics-Applied-General? Computer Aided Optimum Design of Structures Applications Proceedings of the First International Conference, Southampton, Uk, June 1989 Springer-Verlag?　G. A. Brebbia?　S. Hernandez?　 Springer-Verlag?　G.A.Brebbia?　S.Hernandez?　ジャンル別?　 Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-Networks?　Subjects-Computers&Internet-OperatingSystems?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General?　Subjects-Science-Mathematics-Applied-General? Managing Creativity in Science and Hi-Tech Springer-Verlag?　Ronald Kay?　 Springer-Verlag?　RonaldKay?　ジャンル別?　Subjects-Business&Investing-General?　Subjects-Business&Investing-Management&Leadership-Leadership?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Leadership?　Subjects-Science-General Control of Large Flexible Space Structures (Lecture Notes in Control and Information Sciences, 131) Springer-Verlag?　Suresh M. Joshi?　 Springer-Verlag?　SureshM.Joshi?　ジャンル別?　Substores-UnknownASINs-9?　Subjects-Engineering-Electrical&Electronics-General?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General　Subjects-Science-Astronomy-Aeronautics&Astronautics? Theory and Practice of Geometric Modeling Springer-Verlag?　Wolfgang Strasser?　Hans-Peter Seidel?　 Springer-Verlag?　WolfgangStrasser?　Hans-PeterSeidel?　ジャンル別?　 Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-WebGraphics?　Subjects-Computers&Internet-Programming-Graphics&Multimedia-General?　Subjects-Computers&Internet-GraphicDesign-General?　Subjects-Computers&Internet-General?　Subjects-Engineering-ComputerTechnology-CAD&CAM?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-ComputerTechnology-CAD&CAM?　Subjects-Professional&Technical-Engineering-General Boundary Element Method for Two-Dimensional Contact Problems (Lecture Notes in Engineering) Springer-Verlag?　G. Karami?　 Springer-Verlag?　G.Karami?　ジャンル別?　Substores-UnknownASINs-9?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General　Subjects-Science-Mathematics-Applied-Engineering-General? Theory of Macroscopic Systems A Unified Approach for Engineers, Chemists and Physicists Springer-Verlag?　Cor Ouwerkerk?　 Springer-Verlag?　CorOuwerkerk?　ジャンル別?　Subjects-Engineering-Chemical-Thermodynamics?　Subjects-Engineering-General?　Subjects-Engineering-Mechanical-FluidMechanics?　Subjects-Professional&Technical-Engineering-Chemical-Thermodynamics?　 Subjects-Professional&Technical-Engineering-Mechanical-FluidMechanics?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-ProfessionalScience-Chemistry-Physical&Theoretical?　Subjects-Science-Chemistry-Organic-General?　Subjects-Science-Chemistry-Physical&Theoretical-General?　Subjects-Science-General　Subjects-Science-Mathematics-Applied-Engineering-General?　Subjects-Science-Physics-Dynamics-Thermodynamics?　Subjects-Science-Physics-FluidMechanics? Specification for Exchange of Product Analysis Data Version 3 Springer-Verlag?　D. Thomas?　J. Van Maanen?　M. Mead?　 Springer-Verlag?　D.Thomas?　J.VanMaanen?　M.Mead?　ジャンル別?　Substores-UnknownASINs-9?　 Subjects-Computers&Internet-Software-Design&Development-SoftwareDesign?　Subjects-Engineering-ComputerTechnology-CAD&CAM?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-ComputerTechnology-CAD&CAM?　Subjects-Professional&Technical-Engineering-General Variational and Finite Element Methods Symbolic Computation Approach Springer-Verlag?　Abraham I. Beltzer?　 Springer-Verlag?　AbrahamI.Beltzer?　ジャンル別?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-HumanVision&LanguageSystems?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ComputerMathematics?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General?　Subjects-Science-General　Subjects-Science-Mathematics-Applied-General? Microbial and Enzymatic Degradation of Wood and Wood Components (Springer Series in Wood Science) Springer-Verlag?　Karl-Erik Eriksson?　 Springer-Verlag?　Karl-ErikEriksson?　ジャンル別?　Substores-UnknownASINs-9?　Subjects-Engineering-General?　Subjects-Engineering-Materials-Deterioration?　Subjects-Engineering-MaterialsScience-General?　Subjects-Professional&Technical-Engineering-MaterialsScience-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Professional&Technical-Engineering-Materials-Deterioration?　 Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General?　 Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Forestry-WoodScience?　Subjects-Science-General　Subjects-Science-AgriculturalSciences-General?　Subjects-Science-BiologicalSciences-General? Geometry and Robotics Workshop, Toulouse, France, May 26-28, 1988 Proceedings (Lecture Notes in Computer Science) Springer-Verlag?　J. D. Boissonnat?　J. P. Laumond?　 Springer-Verlag?　J.D.Boissonnat?　J.P.Laumond?　ジャンル別?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-Robotics?　Subjects-Computers&Internet-General?　Subjects-Engineering-ComputerTechnology-Robotics&Automation?　Subjects-Engineering-General?　Subjects-Engineering-Mechanical-General?　Subjects-Engineering-Mechanical-Robotics?　 Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation?　Subjects-Professional&Technical-Engineering-Mechanical-General?　Subjects-Professional&Technical-Engineering-Mechanical-Robotics?　Subjects-Professional&Technical-Engineering-General Optical Fiber Sensors Proceedings of the 6th International Conference, Ofs'89, Paris, France, September 18-20, 1989 (Springer Proceedings in Physics) Springer-Verlag?　H. J. Arditty?　John P. Dakin?　R. Th. Kersten?　 Springer-Verlag?　H.J.Arditty?　JohnP.Dakin?　R.Th.Kersten?　ジャンル別?　Substores-UnknownASINs-9?　Subjects-Engineering-Electrical&Electronics-Optics-FiberOptics?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-FiberOptics?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General Product Liability The European Management and Quality Challenge Springer-Verlag?　John G. Roche?　 Springer-Verlag?　JohnG.Roche?　ジャンル別?　Substores-UnknownASINs-9?　Subjects-Engineering-General?　Subjects-Law-Business-ProductLiability?　Subjects-Law-AdministrativeLaw-General?　Subjects-Nonfiction-Law-Business-ProductLiability?　Subjects-Nonfiction-Law-AdministrativeLaw-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Professional&Technical-Law-AdministrativeLaw-General?　Subjects-Science-General Regional Acidification Models Geographic Extent and Time Development Springer-Verlag?　J. Kamari?　D. F. Brakke?　A. Jenkins?　S. A. Norton?　R. F. Wright?　 Springer-Verlag?　J.Kamari?　D.F.Brakke?　A.Jenkins?　S.A.Norton?　R.F.Wright?　ジャンル別?　Substores-UnknownASINs-9?　Subjects-Engineering-Civil-Environmental-General　Subjects-Engineering-Civil-Environmental-HazardousWaste?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-Civil-Environmental-General　 Subjects-Professional&Technical-Engineering-Civil-Environmental-HazardousWaste?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology?　Subjects-Science-EarthSciences-Ecology-General?　Subjects-Science-General Progress in Materials Handling and Logistics Springer-Verlag?　John A. White?　I. W. Pence?　 Springer-Verlag?　JohnA.White?　I.W.Pence?　ジャンル別?　Substores-UnknownASINs-9?　Subjects-Business&Investing-Management&Leadership-Management?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management?　Subjects-Science-General Nondestructive Characterization of Materials Proceedings of the 3rd International Symposium, Saarbruchen, Frg, October 3-6, 1988 Springer-Verlag?　P. Holler?　 Springer-Verlag?　P.Holler?　ジャンル別?　Substores-UnknownASINs-9?　Subjects-Engineering-General?　Subjects-Engineering-Materials-Testing?　Subjects-Engineering-MaterialsScience-General?　Subjects-Professional&Technical-Engineering-MaterialsScience-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Professional&Technical-Engineering-Materials-Testing?　 Subjects-Professional&Technical-ProfessionalScience-Physics-Nanostructures?　Subjects-Science-General　Subjects-Science-Physics-Nanostructures? Adaptive Control Strategies for Industrial Use Proceedings of a Workshop Kananaskis, Canada, 1988 (Lecture Notes in Control and Information Sciences) Springer-Verlag?　Sirish L. Shah?　G. Dumont?　 Springer-Verlag?　SirishL.Shah?　G.Dumont?　ジャンル別?　Substores-UnknownASINs-9?　Subjects-Engineering-General?　Subjects-Engineering-Mechanical-General?　Subjects-Engineering-Mechanical-ControlEngineering-AdaptiveControl?　Subjects-Professional&Technical-Engineering-Mechanical-General?　 Subjects-Professional&Technical-Engineering-Mechanical-ControlEngineering-AdaptiveControl?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General Low Reynolds Number Aerodynamics Proceedings of a Conference (Lecture Notes in Engineering) Springer-Verlag?　T. J. Mueller?　 Springer-Verlag?　T.J.Mueller?　ジャンル別?　Subjects-Engineering-Aerospace-Aerodynamics?　Subjects-Engineering-Aerospace-Applied?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-Aerospace-Aerodynamics?　Subjects-Professional&Technical-Engineering-Aerospace-Applied?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General Applied Statistical Thermodynamics Springer-Verlag?　Klaus Lucas?　 Springer-Verlag?　KlausLucas?　ジャンル別?　Subjects-Engineering-General?　Subjects-Engineering-MaterialsScience-Thermodynamics?　 Subjects-Professional&Technical-Engineering-MaterialsScience-Thermodynamics?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General　Subjects-Science-Physics-Dynamics-Thermodynamics? Computer Vision Theory and Industrial Applications Springer-Verlag?　Carme Torras?　 Springer-Verlag?　CarmeTorras?　ジャンル別?　 Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-Networks?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-MachineVision?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-TheoryofComputing?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ComputerMathematics?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General Expert Systems in Engineering Applications Springer-Verlag?　Spyros Tzafestas?　 Springer-Verlag?　SpyrosTzafestas?　ジャンル別?　 Subjects-Computers&Internet-Networking-DataintheEnterprise-ExpertSystems?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ComputerMathematics?　Subjects-Engineering-ComputerTechnology-General?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-ComputerTechnology-General?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General Highly Redundant Sensing in Robotic Systems (Nato a S I Series Series III, Computer and Systems Sciences) Springer-Verlag?　Julius T. Tou?　J. G. Balchen?　 Springer-Verlag?　JuliusT.Tou?　J.G.Balchen?　ジャンル別?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-Robotics?　Subjects-Engineering-General?　Subjects-Engineering-Mechanical-General?　Subjects-Engineering-Mechanical-Robotics?　Subjects-Professional&Technical-Engineering-Mechanical-General?　Subjects-Professional&Technical-Engineering-Mechanical-Robotics?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General Computer Aided Design Fundamentals and System Architectures (Symbolic Computations, Computer Graphics and Systems and Applications) Springer-Verlag?　Jose L. Encarnacao?　 Springer-Verlag?　JoseL.Encarnacao?　ジャンル別?　 Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-WebGraphics?　 Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-Networks?　Subjects-Computers&Internet-GraphicDesign-General?　Subjects-Engineering-ComputerTechnology-CAD&CAM?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-ComputerTechnology-CAD&CAM?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General Cad*I Drafting Model Springer-Verlag?　R. Schuster?　D. Trippner?　M. Endres?　 Springer-Verlag?　R.Schuster?　D.Trippner?　M.Endres?　ジャンル別?　Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM?　Subjects-Computers&Internet-GraphicDesign-General?　Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM?　Subjects-Engineering-ComputerTechnology-CAD&CAM?　Subjects-Engineering-General?　 Subjects-Professional&Technical-Engineering-ComputerTechnology-CAD&CAM?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? Filtering Techniques for Turbulent Flow Simulation (Lecture Notes in Engineering) Springer-Verlag?　A. A. Aldama?　 Springer-Verlag?　A.A.Aldama?　ジャンル別?　Substores-UnknownASINs-9?　Subjects-Engineering-General?　Subjects-Engineering-MaterialsScience-General?　Subjects-Engineering-Mechanical-FluidMechanics?　Subjects-Professional&Technical-Engineering-MaterialsScience-General?　 Subjects-Professional&Technical-Engineering-Mechanical-FluidMechanics?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General　Subjects-Science-Physics-FluidMechanics? Engineering Risks Evaluation and Valuation Springer-Verlag?　Ulrich Hauptmanns?　Wolfgang Werner?　 Springer-Verlag?　UlrichHauptmanns?　WolfgangWerner?　ジャンル別?　Subjects-Engineering-General?　Subjects-Outdoors&Nature-Environment-EnvironmentalScience　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience?　Subjects-Science-EarthSciences-EnvironmentalScience　Subjects-Science-General　Subjects-Science-Technology-General&Reference　Subjects-Science-Technology-Risks? Laminer-Turbulent Transition Iutam Symposium, Toulouse, France, September 11-15 1989-Iutam Symposia (Intl Union of Theoretical Applied Mechanics) Springer-Verlag?　R. Michel?　D. Arnal?　 Springer-Verlag?　R.Michel?　D.Arnal?　ジャンル別?　Substores-UnknownASINs-9?　Subjects-Engineering-General?　Subjects-Engineering-Mechanical-Hydraulics?　Subjects-Engineering-Mechanical-FluidMechanics?　Subjects-Professional&Technical-Engineering-Mechanical-Hydraulics?　 Subjects-Professional&Technical-Engineering-Mechanical-FluidMechanics?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-ProfessionalScience-Physics-Mechanics?　Subjects-Science-General　Subjects-Science-Physics-Mechanics?　Subjects-Science-Physics-FluidMechanics? Numerical and Physical Aspects of Aerodynamic Flows IV (Symposium on Numerical and Physical Aspects of Aerodynamic Flows//Numerical and Physical Aspects of Aerodynamic Flows) Springer-Verlag?　Tuncer Cebeci?　 Springer-Verlag?　TuncerCebeci?　ジャンル別?　Subjects-Engineering-Aerospace-Aerodynamics?　Subjects-Engineering-Aerospace-Applied?　Subjects-Engineering-General?　Subjects-Professional&Technical-Engineering-Aerospace-Aerodynamics?　Subjects-Professional&Technical-Engineering-Aerospace-Applied?　Subjects-Professional&Technical-Engineering-General　Subjects-Professional&Technical-ProfessionalScience-Physics-General?　 Subjects-Professional&Technical-ProfessionalScience-Physics-Mechanics?　Subjects-Science-General　Subjects-Science-Physics-Dynamics-General?　Subjects-Science-Physics-General?　Subjects-Science-Physics-Mechanics?　Subjects-Science-Astronomy-Aeronautics&Astronautics? Sensor Based Robots Algorithms and Architectures (Nato a S I Series Series III, Computer and Systems Sciences) Springer-Verlag?　C. S. George Lee?　 Springer-Verlag?　C.S.GeorgeLee?　ジャンル別?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-Robotics?　 Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ComputerMathematics?　Subjects-Computers&Internet-ComputerScience-Algorithms-General?　Subjects-Engineering-ComputerTechnology-Robotics&Automation?　Subjects-Engineering-General?　Subjects-Engineering-Mechanical-General?　Subjects-Engineering-Mechanical-Robotics?　 Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation?　Subjects-Professional&Technical-Engineering-Mechanical-General?　Subjects-Professional&Technical-Engineering-Mechanical-Robotics?　Subjects-Professional&Technical-Engineering-General　Subjects-Science-General Subjects-Professional&Technical-Engineering-General 洋書

  • keiskS @technote - mac セットアップログ

    https://w.atwiki.jp/keisks/pages/60.html

    個人的なセットアップメモです。上から順番に行っていくと何かとスムーズ。 system preference general (color preference) desktop dock energy saver keyboard setting add Japanese (input sources) or install google Japanese IME swap capslock and ctrl key repeat https //www44.atwiki.jp/keisks/pages/468.html trackpad sound touchID accessibility (mouse trackpad options) enable three finger dragging https //support.apple.com/en-us/HT204609 mission control (multiple display) http //itstrike.biz/apple/10590/ intall iterm2 homebrew (including xcode) https //brew.sh/ brew install git tmux tree wdiff wget vim coreutils brew link vim 失敗する場合は sudo chown -R `whoami` admin /usr/local/share/man/de/man1 (https //apple.stackexchange.com/questions/362833/make-homebrew-installed-vim-override-system-installed-one) のあとにbrew link vim fonts brew tap sanemat/font brew install ricty --with-powerline cp -f /usr/local/opt/ricty/share/fonts/Ricty*.ttf ~/Library/Fonts/ fc-cache -vf cd ~/Library/Fonts curl -fLo "Droid Sans Mono for Powerline Nerd Font Complete.otf" https //github.com/ryanoasis/nerd-fonts/raw/master/patched-fonts/DroidSansMono/complete/Droid%20Sans%20Mono%20Nerd%20Font%20Complete.otf dotfiles clone from my bitbucket e.g., sh dotfiles/common/initial_link_mac.sh 一度terminal を閉じてpathを最新にする。 vim Vundle インストール https //github.com/VundleVim/Vundle.vim#quick-start vimを開いてPluginIsntallを実行 iTerm2の細かい設定 color scheme https //github.com/mbadolato/iTerm2-Color-Schemes/tree/master/schemes this is included in my bitbucket font ascii Ricty for powerline non-ascii Droind sansmono nerd ssh key https //help.github.com/articles/generating-a-new-ssh-key-and-adding-it-to-the-ssh-agent/ edit .ssh/config anaconda pip install --ignore-installed -U flake8 other apps see my memo (in evernote) sync cloud storage finderを整える（表示するものしないもの） http //d.hatena.ne.jp/shunsuk/20090714/1247567640 Done. Enjoy!

  • Anne of Green Gables　のぺーじ - CHAPTER V

    https://w.atwiki.jp/pyopyo0124/pages/20.html

    CHAPTER IV UP CHAPTER VI CHAPTER V Anne s History "Do you know," said Anne confidentially, "I ve made up my mind to enjoy this drive. It s been my experience that you can nearly always enjoy things if you make up your mind firmly that you will. Of course, you must make it up FIRMLY. I am not going to think about going back to the asylum while we re having our drive. I m just going to think about the drive. Oh, look, there s one little early wild rose out! Isn t it lovely? Don t you think it must be glad to be a rose? Wouldn t it be nice if roses could talk? I m sure they could tell us such lovely things. And isn t pink the most bewitching color in the world? I love it, but I can t wear it. Redheaded people can t wear pink, not even in imagination. Did you ever know of anybody whose hair was red when she was young, but got to be another color when she grew up?" "No, I don t know as I ever did," said Marilla mercilessly, "and I shouldn t think it likely to happen in your case either." Anne sighed. "Well, that is another hope gone. `My life is a perfect graveyard of buried hopes. That s a sentence I read in a book once, and I say it over to comfort myself whenever I m disappointed in anything." "I don t see where the comforting comes in myself," said Marilla. "Why, because it sounds so nice and romantic, just as if I were a heroine in a book, you know. I am so fond of romantic things, and a graveyard full of buried hopes is about as romantic a thing as one can imagine isn t it? I m rather glad I have one. Are we going across the Lake of Shining Waters today?" "We re not going over Barry s pond, if that s what you mean by your Lake of Shining Waters. We re going by the shore road." "Shore road sounds nice," said Anne dreamily. "Is it as nice as it sounds? Just when you said `shore road I saw it in a picture in my mind, as quick as that! And White Sands is a pretty name, too; but I don t like it as well as Avonlea. Avonlea is a lovely name. It just sounds like music. How far is it to White Sands?" "It s five miles; and as you re evidently bent on talking you might as well talk to some purpose by telling me what you know about yourself." "Oh, what I KNOW about myself isn t really worth telling," said Anne eagerly. "If you ll only let me tell you what I IMAGINE about myself you ll think it ever so much more interesting." "No, I don t want any of your imaginings. Just you stick to bald facts. Begin at the beginning. Where were you born and how old are you?" "I was eleven last March," said Anne, resigning herself to bald facts with a little sigh. "And I was born in Bolingbroke, Nova Scotia. My father s name was Walter Shirley, and he was a teacher in the Bolingbroke High School. My mother s name was Bertha Shirley. Aren t Walter and Bertha lovely names? I m so glad my parents had nice names. It would be a real disgrace to have a father named--well, say Jedediah, wouldn t it?" "I guess it doesn t matter what a person s name is as long as he behaves himself," said Marilla, feeling herself called upon to inculcate a good and useful moral. "Well, I don t know." Anne looked thoughtful. "I read in a book once that a rose by any other name would smell as sweet, but I ve never been able to believe it. I don t believe a rose WOULD be as nice if it was called a thistle or a skunk cabbage. I suppose my father could have been a good man even if he had been called Jedediah; but I m sure it would have been a cross. Well, my mother was a teacher in the High school, too, but when she married father she gave up teaching, of course. A husband was enough responsibility. Mrs. Thomas said that they were a pair of babies and as poor as church mice. They went to live in a weeny-teeny little yellow house in Bolingbroke. I ve never seen that house, but I ve imagined it thousands of times. I think it must have had honeysuckle over the parlor window and lilacs in the front yard and lilies of the valley just inside the gate. Yes, and muslin curtains in all the windows. Muslin curtains give a house such an air. I was born in that house. Mrs. Thomas said I was the homeliest baby she ever saw, I was so scrawny and tiny and nothing but eyes, but that mother thought I was perfectly beautiful. I should think a mother would be a better judge than a poor woman who came in to scrub, wouldn t you? I m glad she was satisfied with me anyhow, I would feel so sad if I thought I was a disappointment to her--because she didn t live very long after that, you see. She died of fever when I was just three months old. I do wish she d lived long enough for me to remember calling her mother. I think it would be so sweet to say `mother, don t you? And father died four days afterwards from fever too. That left me an orphan and folks were at their wits end, so Mrs. Thomas said, what to do with me. You see, nobody wanted me even then. It seems to be my fate. Father and mother had both come from places far away and it was well known they hadn t any relatives living. Finally Mrs. Thomas said she d take me, though she was poor and had a drunken husband. She brought me up by hand. Do you know if there is anything in being brought up by hand that ought to make people who are brought up that way better than other people? Because whenever I was naughty Mrs. Thomas would ask me how I could be such a bad girl when she had brought me up by hand-- reproachful-like. "Mr. and Mrs. Thomas moved away from Bolingbroke to Marysville, and I lived with them until I was eight years old. I helped look after the Thomas children--there were four of them younger than me--and I can tell you they took a lot of looking after. Then Mr. Thomas was killed falling under a train and his mother offered to take Mrs. Thomas and the children, but she didn t want me. Mrs. Thomas was at HER wits end, so she said, what to do with me. Then Mrs. Hammond from up the river came down and said she d take me, seeing I was handy with children, and I went up the river to live with her in a little clearing among the stumps. It was a very lonesome place. I m sure I could never have lived there if I hadn t had an imagination. Mr. Hammond worked a little sawmill up there, and Mrs. Hammond had eight children. She had twins three times. I like babies in moderation, but twins three times in succession is TOO MUCH. I told Mrs. Hammond so firmly, when the last pair came. I used to get so dreadfully tired carrying them about. "I lived up river with Mrs. Hammond over two years, and then Mr. Hammond died and Mrs. Hammond broke up housekeeping. She divided her children among her relatives and went to the States. I had to go to the asylum at Hopeton, because nobody would take me. They didn t want me at the asylum, either; they said they were over- crowded as it was. But they had to take me and I was there four months until Mrs. Spencer came." Anne finished up with another sigh, of relief this time. Evidently she did not like talking about her experiences in a world that had not wanted her. "Did you ever go to school?" demanded Marilla, turning the sorrel mare down the shore road. "Not a great deal. I went a little the last year I stayed with Mrs. Thomas. When I went up river we were so far from a school that I couldn t walk it in winter and there was a vacation in summer, so I could only go in the spring and fall. But of course I went while I was at the asylum. I can read pretty well and I know ever so many pieces of poetry off by heart--`The Battle of Hohenlinden and `Edinburgh after Flodden, and `Bingen of the Rhine, and most of the `Lady of the Lake and most of `The Seasons by James Thompson. Don t you just love poetry that gives you a crinkly feeling up and down your back? There is a piece in the Fifth Reader--`The Downfall of Poland --that is just full of thrills. Of course, I wasn t in the Fifth Reader--I was only in the Fourth--but the big girls used to lend me theirs to read." "Were those women--Mrs. Thomas and Mrs. Hammond--good to you?" asked Marilla, looking at Anne out of the corner of her eye. "O-o-o-h," faltered Anne. Her sensitive little face suddenly flushed scarlet and embarrassment sat on her brow. "Oh, they MEANT to be--I know they meant to be just as good and kind as possible. And when people mean to be good to you, you don t mind very much when they re not quite--always. They had a good deal to worry them, you know. It s very trying to have a drunken husband, you see; and it must be very trying to have twins three times in succession, don t you think? But I feel sure they meant to be good to me." Marilla asked no more questions. Anne gave herself up to a silent rapture over the shore road and Marilla guided the sorrel abstractedly while she pondered deeply. Pity was suddenly stirring in her heart for the child. What a starved, unloved life she had had--a life of drudgery and poverty and neglect; for Marilla was shrewd enough to read between the lines of Anne s history and divine the truth. No wonder she had been so delighted at the prospect of a real home. It was a pity she had to be sent back. What if she, Marilla, should indulge Matthew s unaccountable whim and let her stay? He was set on it; and the child seemed a nice, teachable little thing. "She s got too much to say," thought Marilla, "but she might be trained out of that. And there s nothing rude or slangy in what she does say. She s ladylike. It s likely her people were nice folks." The shore road was "woodsy and wild and lonesome." On the right hand, scrub firs, their spirits quite unbroken by long years of tussle with the gulf winds, grew thickly. On the left were the steep red sandstone cliffs, so near the track in places that a mare of less steadiness than the sorrel might have tried the nerves of the people behind her. Down at the base of the cliffs were heaps of surf-worn rocks or little sandy coves inlaid with pebbles as with ocean jewels; beyond lay the sea, shimmering and blue, and over it soared the gulls, their pinions flashing silvery in the sunlight. "Isn t the sea wonderful?" said Anne, rousing from a long, wide-eyed silence. "Once, when I lived in Marysville, Mr. Thomas hired an express wagon and took us all to spend the day at the shore ten miles away. I enjoyed every moment of that day, even if I had to look after the children all the time. I lived it over in happy dreams for years. But this shore is nicer than the Marysville shore. Aren t those gulls splendid? Would you like to be a gull? I think I would--that is, if I couldn t be a human girl. Don t you think it would be nice to wake up at sunrise and swoop down over the water and away out over that lovely blue all day; and then at night to fly back to one s nest? Oh, I can just imagine myself doing it. What big house is that just ahead, please?" "That s the White Sands Hotel. Mr. Kirke runs it, but the season hasn t begun yet. There are heaps of Americans come there for the summer. They think this shore is just about right." "I was afraid it might be Mrs. Spencer s place," said Anne mournfully. "I don t want to get there. Somehow, it will seem like the end of everything." CHAPTER IV UP CHAPTER VI 今日 - | 昨日 - | Total - since 04 June 2007 last update 2007-06-05 01 31 52 (Tue)

  • parabola @Wiki - トップページ

    https://w.atwiki.jp/parabola/

    [licata, riccardo|http //licata-riccardo.topo20.org] - [licata, riccardo|HTTP //licata-riccardo.topo20.org] licata, riccardo, licata, riccardo, licata, riccardo [licata, riccardo|http //licata-riccardo.topo20.org].; [hell|http //hell.fifa2007it.org] - [hell|HTTP //hell.fifa2007it.org] hell, hell, hell [hell|http //hell.fifa2007it.org].; [ackermann, max|http //ackermann-max.trevisos.org] - [ackermann, max|HTTP //ackermann-max.trevisos.org] ackermann, max, ackermann, max, ackermann, max [ackermann, max|http //ackermann-max.trevisos.org].; [qixia si|http //qixia-si.realitsen.info] - [qixia si|HTTP //qixia-si.realitsen.info] qixia si, qixia si, qixia si [qixia si|http //qixia-si.realitsen.info].; [alex and emma|http //alex-and.design4italy.org] - [alex and emma|HTTP //alex-and.design4italy.org] alex and emma, alex and emma, alex and emma [alex and emma|http //alex-and.design4italy.org].; [capelle, jan van de-|http //capelle-jan.win-for-italy.info] - [capelle, jan van de-|HTTP //capelle-jan.win-for-italy.info] capelle, jan van de-, capelle, jan van de-, capelle, jan van de- [capelle, jan van de-|http //capelle-jan.win-for-italy.info].; [bikom|http //bikom.trevisos.org] - [bikom|HTTP //bikom.trevisos.org] bikom, bikom, bikom [bikom|http //bikom.trevisos.org].; [paray-le-monial|http //paraylemonial.realitsen.info] - [paray-le-monial|HTTP //paraylemonial.realitsen.info] paray-le-monial, paray-le-monial, paray-le-monial [paray-le-monial|http //paraylemonial.realitsen.info].; [mitsuyoshi tosa|http //mitsuyoshi-tosa.realitsen.info] - [mitsuyoshi tosa|HTTP //mitsuyoshi-tosa.realitsen.info] mitsuyoshi tosa, mitsuyoshi tosa, mitsuyoshi tosa [mitsuyoshi tosa|http //mitsuyoshi-tosa.realitsen.info].; [four brothers - quattro fratelli|http //four-brothers.fifa2007it.org] - [four brothers - quattro fratelli|HTTP //four-brothers.fifa2007it.org] four brothers - quattro fratelli, four brothers - quattro fratelli, four brothers - quattro fratelli [four brothers - quattro fratelli|http //four-brothers.fifa2007it.org].; [baumhauer, joseph|http //baumhauer-joseph.trevisos.org] - [baumhauer, joseph|HTTP //baumhauer-joseph.trevisos.org] baumhauer, joseph, baumhauer, joseph, baumhauer, joseph [baumhauer, joseph|http //baumhauer-joseph.trevisos.org].; [bentley, john francis|http //bentley-john.trevisos.org] - [bentley, john francis|HTTP //bentley-john.trevisos.org] bentley, john francis, bentley, john francis, bentley, john francis [bentley, john francis|http //bentley-john.trevisos.org].; [konarak|http //konarak.topo20.org] - [konarak|HTTP //konarak.topo20.org] konarak, konarak, konarak [konarak|http //konarak.topo20.org].; [beauvais|http //beauvais.trevisos.org] - [beauvais|HTTP //beauvais.trevisos.org] beauvais, beauvais, beauvais [beauvais|http //beauvais.trevisos.org].; [il viaggio di felicia|http //il-viaggio.motnolado.org] - [il viaggio di felicia|HTTP //il-viaggio.motnolado.org] il viaggio di felicia, il viaggio di felicia, il viaggio di felicia [il viaggio di felicia|http //il-viaggio.motnolado.org].; [fanum voltumnae|http //fanum-voltumnae.win-for-italy.info] - [fanum voltumnae|HTTP //fanum-voltumnae.win-for-italy.info] fanum voltumnae, fanum voltumnae, fanum voltumnae [fanum voltumnae|http //fanum-voltumnae.win-for-italy.info].; [halle|http //halle.topo20.org] - [halle|HTTP //halle.topo20.org] halle, halle, halle [halle|http //halle.topo20.org].; [divisionismo|http //divisionismo.win-for-italy.info] - [divisionismo|HTTP //divisionismo.win-for-italy.info] divisionismo, divisionismo, divisionismo [divisionismo|http //divisionismo.win-for-italy.info].; [vivin, louis|http //vivin-louis.design4italy.org] - [vivin, louis|HTTP //vivin-louis.design4italy.org] vivin, louis, vivin, louis, vivin, louis [vivin, louis|http //vivin-louis.design4italy.org].; [thule springs|http //thule-springs.design4italy.org] - [thule springs|HTTP //thule-springs.design4italy.org] thule springs, thule springs, thule springs [thule springs|http //thule-springs.design4italy.org].; [abercrombie, sir patrick|http //abercrombie-sir.trevisos.org] - [abercrombie, sir patrick|HTTP //abercrombie-sir.trevisos.org] abercrombie, sir patrick, abercrombie, sir patrick, abercrombie, sir patrick [abercrombie, sir patrick|http //abercrombie-sir.trevisos.org].; [tessenow heinrich|http //tessenow-heinrich.design4italy.org] - [tessenow heinrich|HTTP //tessenow-heinrich.design4italy.org] tessenow heinrich, tessenow heinrich, tessenow heinrich [tessenow heinrich|http //tessenow-heinrich.design4italy.org].; [ebrach|http //ebrach.win-for-italy.info] - [ebrach|HTTP //ebrach.win-for-italy.info] ebrach, ebrach, ebrach [ebrach|http //ebrach.win-for-italy.info].; [piattabanda|http //piattabanda.realitsen.info] - [piattabanda|HTTP //piattabanda.realitsen.info] piattabanda, piattabanda, piattabanda [piattabanda|http //piattabanda.realitsen.info].; [piles, roger de-|http //piles-roger.realitsen.info] - [piles, roger de-|HTTP //piles-roger.realitsen.info] piles, roger de-, piles, roger de-, piles, roger de- [piles, roger de-|http //piles-roger.realitsen.info].; [charlotte gray|http //charlotte-gray.fifa2007it.org] - [charlotte gray|HTTP //charlotte-gray.fifa2007it.org] charlotte gray, charlotte gray, charlotte gray [charlotte gray|http //charlotte-gray.fifa2007it.org].; [mills, robert|http //mills-robert.realitsen.info] - [mills, robert|HTTP //mills-robert.realitsen.info] mills, robert, mills, robert, mills, robert [mills, robert|http //mills-robert.realitsen.info].; [belfagor - il fantasma del louvre|http //belfagor-.fifa2007it.org] - [belfagor - il fantasma del louvre|HTTP //belfagor-.fifa2007it.org] belfagor - il fantasma del louvre, belfagor - il fantasma del louvre, belfagor - il fantasma del louvre [belfagor - il fantasma del louvre|http //belfagor-.fifa2007it.org].; [cenerentola a parigi|http //cenerentola-a.fifa2007it.org] - [cenerentola a parigi|HTTP //cenerentola-a.fifa2007it.org] cenerentola a parigi, cenerentola a parigi, cenerentola a parigi [cenerentola a parigi|http //cenerentola-a.fifa2007it.org].; [la spirale della vendetta|http //la-spirale.motnolado.org] - [la spirale della vendetta|HTTP //la-spirale.motnolado.org] la spirale della vendetta, la spirale della vendetta, la spirale della vendetta [la spirale della vendetta|http //la-spirale.motnolado.org].; [praetexta|http //praetexta.realitsen.info] - [praetexta|HTTP //praetexta.realitsen.info] praetexta, praetexta, praetexta [praetexta|http //praetexta.realitsen.info].; [fashion|http //fashion.win-for-italy.info] - [fashion|HTTP //fashion.win-for-italy.info] fashion, fashion, fashion [fashion|http //fashion.win-for-italy.info].; [hilton, roger|http //hilton-roger.topo20.org] - [hilton, roger|HTTP //hilton-roger.topo20.org] hilton, roger, hilton, roger, hilton, roger [hilton, roger|http //hilton-roger.topo20.org].; [lavedan, pierre|http //lavedan-pierre.topo20.org] - [lavedan, pierre|HTTP //lavedan-pierre.topo20.org] lavedan, pierre, lavedan, pierre, lavedan, pierre [lavedan, pierre|http //lavedan-pierre.topo20.org].; [pontecagnano faiano|http //pontecagnano-faiano.realitsen.info] - [pontecagnano faiano|HTTP //pontecagnano-faiano.realitsen.info] pontecagnano faiano, pontecagnano faiano, pontecagnano faiano [pontecagnano faiano|http //pontecagnano-faiano.realitsen.info].; [susanna|http //susanna.design4italy.org] - [susanna|HTTP //susanna.design4italy.org] susanna, susanna, susanna [susanna|http //susanna.design4italy.org].; [bambole russe|http //bambole-russe.fifa2007it.org] - [bambole russe|HTTP //bambole-russe.fifa2007it.org] bambole russe, bambole russe, bambole russe [bambole russe|http //bambole-russe.fifa2007it.org].; [commedia sexy|http //commedia-sexy.fifa2007it.org] - [commedia sexy|HTTP //commedia-sexy.fifa2007it.org] commedia sexy, commedia sexy, commedia sexy [commedia sexy|http //commedia-sexy.fifa2007it.org].; [buke-zukuri|http //bukezukuri.trevisos.org] - [buke-zukuri|HTTP //bukezukuri.trevisos.org] buke-zukuri, buke-zukuri, buke-zukuri [buke-zukuri|http //bukezukuri.trevisos.org].; [costantino i (imperatore romano)|http //costantino-i.win-for-italy.info] - [costantino i (imperatore romano)|HTTP //costantino-i.win-for-italy.info] costantino i (imperatore romano), costantino i (imperatore romano), costantino i (imperatore romano) [costantino i (imperatore romano)|http //costantino-i.win-for-italy.info].; [pawdawmu|http //pawdawmu.realitsen.info] - [pawdawmu|HTTP //pawdawmu.realitsen.info] pawdawmu, pawdawmu, pawdawmu [pawdawmu|http //pawdawmu.realitsen.info].; [gioco a due|http //gioco-a.fifa2007it.org] - [gioco a due|HTTP //gioco-a.fifa2007it.org] gioco a due, gioco a due, gioco a due [gioco a due|http //gioco-a.fifa2007it.org].; [leptis magna|http //leptis-magna.topo20.org] - [leptis magna|HTTP //leptis-magna.topo20.org] leptis magna, leptis magna, leptis magna [leptis magna|http //leptis-magna.topo20.org].; [killing zoe|http //killing-zoe.motnolado.org] - [killing zoe|HTTP //killing-zoe.motnolado.org] killing zoe, killing zoe, killing zoe [killing zoe|http //killing-zoe.motnolado.org].; [puy, jean|http //puy-jean.realitsen.info] - [puy, jean|HTTP //puy-jean.realitsen.info] puy, jean, puy, jean, puy, jean [puy, jean|http //puy-jean.realitsen.info].; [jerry maguire|http //jerry-maguire.motnolado.org] - [jerry maguire|HTTP //jerry-maguire.motnolado.org] jerry maguire, jerry maguire, jerry maguire [jerry maguire|http //jerry-maguire.motnolado.org].; [brouet, auguste|http //brouet-auguste.trevisos.org] - [brouet, auguste|HTTP //brouet-auguste.trevisos.org] brouet, auguste, brouet, auguste, brouet, auguste [brouet, auguste|http //brouet-auguste.trevisos.org].; [pileta, la-|http //pileta-la.realitsen.info] - [pileta, la-|HTTP //pileta-la.realitsen.info] pileta, la-, pileta, la-, pileta, la- [pileta, la-|http //pileta-la.realitsen.info].; [campanile|http //campanile.win-for-italy.info] - [campanile|HTTP //campanile.win-for-italy.info] campanile, campanile, campanile [campanile|http //campanile.win-for-italy.info].; [arrieta, pedro de-|http //arrieta-pedro.trevisos.org] - [arrieta, pedro de-|HTTP //arrieta-pedro.trevisos.org] arrieta, pedro de-, arrieta, pedro de-, arrieta, pedro de- [arrieta, pedro de-|http //arrieta-pedro.trevisos.org].; [cambridge (u.s.a.)|http //cambridge-usa.win-for-italy.info] - [cambridge (u.s.a.)|HTTP //cambridge-usa.win-for-italy.info] cambridge (u.s.a.), cambridge (u.s.a.), cambridge (u.s.a.) [cambridge (u.s.a.)|http //cambridge-usa.win-for-italy.info].; [arellano, juan de-|http //arellano-juan.trevisos.org] - [arellano, juan de-|HTTP //arellano-juan.trevisos.org] arellano, juan de-, arellano, juan de-, arellano, juan de- [arellano, juan de-|http //arellano-juan.trevisos.org].; [la cameriera|http //la-cameriera.motnolado.org] - [la cameriera|HTTP //la-cameriera.motnolado.org] la cameriera, la cameriera, la cameriera [la cameriera|http //la-cameriera.motnolado.org].; [honegger, david|http //honegger-david.topo20.org] - [honegger, david|HTTP //honegger-david.topo20.org] honegger, david, honegger, david, honegger, david [honegger, david|http //honegger-david.topo20.org].; [hals, frans|http //hals-frans.topo20.org] - [hals, frans|HTTP //hals-frans.topo20.org] hals, frans, hals, frans, hals, frans [hals, frans|http //hals-frans.topo20.org].; [black simphony|http //black-simphony.fifa2007it.org] - [black simphony|HTTP //black-simphony.fifa2007it.org] black simphony, black simphony, black simphony [black simphony|http //black-simphony.fifa2007it.org].; [last night|http //last-night.motnolado.org] - [last night|HTTP //last-night.motnolado.org] last night, last night, last night [last night|http //last-night.motnolado.org].; [spencer, stanley|http //spencer-stanley.design4italy.org] - [spencer, stanley|HTTP //spencer-stanley.design4italy.org] spencer, stanley, spencer, stanley, spencer, stanley [spencer, stanley|http //spencer-stanley.design4italy.org].; [gertrud|http //gertrud.fifa2007it.org] - [gertrud|HTTP //gertrud.fifa2007it.org] gertrud, gertrud, gertrud [gertrud|http //gertrud.fifa2007it.org].; [tachi|http //tachi.design4italy.org] - [tachi|HTTP //tachi.design4italy.org] tachi, tachi, tachi [tachi|http //tachi.design4italy.org].; [tisi, benvenuto|http //tisi-benvenuto.design4italy.org] - [tisi, benvenuto|HTTP //tisi-benvenuto.design4italy.org] tisi, benvenuto, tisi, benvenuto, tisi, benvenuto [tisi, benvenuto|http //tisi-benvenuto.design4italy.org].; [novilara|http //novilara.realitsen.info] - [novilara|HTTP //novilara.realitsen.info] novilara, novilara, novilara [novilara|http //novilara.realitsen.info].; [dragonfly|http //dragonfly.fifa2007it.org] - [dragonfly|HTTP //dragonfly.fifa2007it.org] dragonfly, dragonfly, dragonfly [dragonfly|http //dragonfly.fifa2007it.org].; [ricostruire|http //ricostruire.design4italy.org] - [ricostruire|HTTP //ricostruire.design4italy.org] ricostruire, ricostruire, ricostruire [ricostruire|http //ricostruire.design4italy.org].; [base (architettura)|http //base-architettura.trevisos.org] - [base (architettura)|HTTP //base-architettura.trevisos.org] base (architettura), base (architettura), base (architettura) [base (architettura)|http //base-architettura.trevisos.org].; [muybridge, eadweard|http //muybridge-eadweard.realitsen.info] - [muybridge, eadweard|HTTP //muybridge-eadweard.realitsen.info] muybridge, eadweard, muybridge, eadweard, muybridge, eadweard [muybridge, eadweard|http //muybridge-eadweard.realitsen.info].; [kahn, louis isadore|http //kahn-louis.topo20.org] - [kahn, louis isadore|HTTP //kahn-louis.topo20.org] kahn, louis isadore, kahn, louis isadore, kahn, louis isadore [kahn, louis isadore|http //kahn-louis.topo20.org].; [looy, jacobus van-|http //looy-jacobus.topo20.org] - [looy, jacobus van-|HTTP //looy-jacobus.topo20.org] looy, jacobus van-, looy, jacobus van-, looy, jacobus van- [looy, jacobus van-|http //looy-jacobus.topo20.org].; [confessions of a teenage drama queen|http //confessions-a.fifa2007it.org] - [confessions of a teenage drama queen|HTTP //confessions-a.fifa2007it.org] confessions of a teenage drama queen, confessions of a teenage drama queen, confessions of a teenage drama queen [confessions of a teenage drama queen|http //confessions-a.fifa2007it.org].; [liberty|http //liberty.topo20.org] - [liberty|HTTP //liberty.topo20.org] liberty, liberty, liberty [liberty|http //liberty.topo20.org].; [brinckmann, albert erich|http //brinckmann-albert.trevisos.org] - [brinckmann, albert erich|HTTP //brinckmann-albert.trevisos.org] brinckmann, albert erich, brinckmann, albert erich, brinckmann, albert erich [brinckmann, albert erich|http //brinckmann-albert.trevisos.org].; [carne tremula|http //carne-tremula.fifa2007it.org] - [carne tremula|HTTP //carne-tremula.fifa2007it.org] carne tremula, carne tremula, carne tremula [carne tremula|http //carne-tremula.fifa2007it.org].; [a good lawyer s wife|http //a-good.fifa2007it.org] - [a good lawyer s wife|HTTP //a-good.fifa2007it.org] a good lawyer s wife, a good lawyer s wife, a good lawyer s wife [a good lawyer s wife|http //a-good.fifa2007it.org].; [bourgeois, victor|http //bourgeois-victor.trevisos.org] - [bourgeois, victor|HTTP //bourgeois-victor.trevisos.org] bourgeois, victor, bourgeois, victor, bourgeois, victor [bourgeois, victor|http //bourgeois-victor.trevisos.org].; [gods and generals|http //gods-and.fifa2007it.org] - [gods and generals|HTTP //gods-and.fifa2007it.org] gods and generals, gods and generals, gods and generals [gods and generals|http //gods-and.fifa2007it.org].; [fragile|http //fragile.fifa2007it.org] - [fragile|HTTP //fragile.fifa2007it.org] fragile, fragile, fragile [fragile|http //fragile.fifa2007it.org].; [kitaj, ronald b.|http //kitaj-ronald.topo20.org] - [kitaj, ronald b.|HTTP //kitaj-ronald.topo20.org] kitaj, ronald b., kitaj, ronald b., kitaj, ronald b. [kitaj, ronald b.|http //kitaj-ronald.topo20.org].; [foster, sir norman|http //foster-sir.win-for-italy.info] - [foster, sir norman|HTTP //foster-sir.win-for-italy.info] foster, sir norman, foster, sir norman, foster, sir norman [foster, sir norman|http //foster-sir.win-for-italy.info].; [vos, cornelis de-|http //vos-cornelis.design4italy.org] - [vos, cornelis de-|HTTP //vos-cornelis.design4italy.org] vos, cornelis de-, vos, cornelis de-, vos, cornelis de- [vos, cornelis de-|http //vos-cornelis.design4italy.org].; [swatch|http //swatch.design4italy.org] - [swatch|HTTP //swatch.design4italy.org] swatch, swatch, swatch [swatch|http //swatch.design4italy.org].; [venet, bernard|http //venet-bernard.design4italy.org] - [venet, bernard|HTTP //venet-bernard.design4italy.org] venet, bernard, venet, bernard, venet, bernard [venet, bernard|http //venet-bernard.design4italy.org].; [top|http //top.design4italy.org] - [top|HTTP //top.design4italy.org] top, top, top [top|http //top.design4italy.org].; [mora|http //mora.realitsen.info] - [mora|HTTP //mora.realitsen.info] mora, mora, mora [mora|http //mora.realitsen.info].; [big fish|http //big-fish.fifa2007it.org] - [big fish|HTTP //big-fish.fifa2007it.org] big fish, big fish, big fish [big fish|http //big-fish.fifa2007it.org].; [bosch y gimpera, pedro|http //bosch-y.trevisos.org] - [bosch y gimpera, pedro|HTTP //bosch-y.trevisos.org] bosch y gimpera, pedro, bosch y gimpera, pedro, bosch y gimpera, pedro [bosch y gimpera, pedro|http //bosch-y.trevisos.org].; [pailou|http //pailou.realitsen.info] - [pailou|HTTP //pailou.realitsen.info] pailou, pailou, pailou [pailou|http //pailou.realitsen.info].; [nylon|http //nylon.realitsen.info] - [nylon|HTTP //nylon.realitsen.info] nylon, nylon, nylon [nylon|http //nylon.realitsen.info].; [carlito s way|http //carlitos-way.fifa2007it.org] - [carlito s way|HTTP //carlitos-way.fifa2007it.org] carlito s way, carlito s way, carlito s way [carlito s way|http //carlitos-way.fifa2007it.org].; [loggiato|http //loggiato.topo20.org] - [loggiato|HTTP //loggiato.topo20.org] loggiato, loggiato, loggiato [loggiato|http //loggiato.topo20.org].; [avedon, richard|http //avedon-richard.trevisos.org] - [avedon, richard|HTTP //avedon-richard.trevisos.org] avedon, richard, avedon, richard, avedon, richard [avedon, richard|http //avedon-richard.trevisos.org].; [orchard, william|http //orchard-william.realitsen.info] - [orchard, william|HTTP //orchard-william.realitsen.info] orchard, william, orchard, william, orchard, william [orchard, william|http //orchard-william.realitsen.info].; [gremlins|http //gremlins.fifa2007it.org] - [gremlins|HTTP //gremlins.fifa2007it.org] gremlins, gremlins, gremlins [gremlins|http //gremlins.fifa2007it.org].; [accademismo|http //accademismo.trevisos.org] - [accademismo|HTTP //accademismo.trevisos.org] accademismo, accademismo, accademismo [accademismo|http //accademismo.trevisos.org].; [candela, felix|http //candela-felix.win-for-italy.info] - [candela, felix|HTTP //candela-felix.win-for-italy.info] candela, felix, candela, felix, candela, felix [candela, felix|http //candela-felix.win-for-italy.info].; [azzolini, tito|http //azzolini-tito.trevisos.org] - [azzolini, tito|HTTP //azzolini-tito.trevisos.org] azzolini, tito, azzolini, tito, azzolini, tito [azzolini, tito|http //azzolini-tito.trevisos.org].; [kiva|http //kiva.topo20.org] - [kiva|HTTP //kiva.topo20.org] kiva, kiva, kiva [kiva|http //kiva.topo20.org].; [robert de luzarches|http //robert-luzarches.design4italy.org] - [robert de luzarches|HTTP //robert-luzarches.design4italy.org] robert de luzarches, robert de luzarches, robert de luzarches [robert de luzarches|http //robert-luzarches.design4italy.org].; [del perduto amore|http //del-perduto.fifa2007it.org] - [del perduto amore|HTTP //del-perduto.fifa2007it.org] del perduto amore, del perduto amore, del perduto amore [del perduto amore|http //del-perduto.fifa2007it.org].; [shumman, kubo|http //shumman-kubo.design4italy.org] - [shumman, kubo|HTTP //shumman-kubo.design4italy.org] shumman, kubo, shumman, kubo, shumman, kubo [shumman, kubo|http //shumman-kubo.design4italy.org].; [morgan, john pierpont|http //morgan-john.realitsen.info] - [morgan, john pierpont|HTTP //morgan-john.realitsen.info] morgan, john pierpont, morgan, john pierpont, morgan, john pierpont [morgan, john pierpont|http //morgan-john.realitsen.info].; morgan, john pierpont

  • オペラ対訳プロジェクト - Humperdinck,Engelbert/Hänsel und Gretel/III

    https://w.atwiki.jp/oper/pages/920.html

    第３幕 前奏曲 ジンジャーブレッドの家 第２幕の終りと同じ情景 背景はまだ霧に包まれている　それは次第に晴れてきて花咲く舞台となる 天使たちはいなくなっている　朝がやってくる 露の妖精がやってきて眠っている子供にベルフラワーから露を振りかける 【露の妖精】 小さなつゆの妖精よ　わたしは お日さまといっしょに旅をするの　わたしは 東から西へ　知っているのよ　わたしは だれが悪い子で　だれがいい子かをね クリン！クラン！クリン！クラン！ わたしは金色のお日さまの光といっしょにやってきて あなたたちの小さな目をのぞきこむ それから冷たいしずくで目をさまさせるの 野原や牧場で眠っているものたちを さあ飛び立ちなさい　元気なものたちよ 朝早い時間には きっといいことがあるからね 起きなさい　お寝坊さん　目をさまして！ お日さまの光はほほえんでいるわ 起きなさい　お寝坊さん　起きて　起きて！ （急いで歌いながら去って行く） （子供たちは目覚める。グレーテルは目をこすってあたりを見回しちょっとびっくりしている　他方ヘンゼルは寝返りをうってまだ眠っていようとする） 【グレーテル】 ここはどこ？目がさめたのね　あたし？ これは夢かしら？ ここであたし　モミの木の下にいるのね！ 枝の上高くには　やさしいさえずりが 小鳥たちがとても甘い歌をうたってるのよ とっても早く　目をさましているのね 朝の歌をうたうために かわいい鳥さんたち　かわいい鳥さんたち おはよう！ （彼女はヘンゼルの方に向く） そこにいるのは　ねぼすけなヤマネさんね！ いいかげんに　起きなさい！ ティ　レ　リ　レ　リ　もう早くないわ！ ティ　レ　リ　レ　リ　もう早くないわ！ ヒバリは歌ってる 天高くのぼって ティ　レ　リ　レ　リ （等々） 【ヘンゼル】 （突然起き上がって空中をジャンプしながら） コケコッコー！ まだ早いよ！ コケコッコー！ まだ早いよ！ ああ　歌声はきこえてるよ 朝が来たんだ！ 【グレーテル】 チ　チ　チ　チ　チ　レ　リ　レ　．．． 【ヘンゼル】 コケコッコー！　ウー　ウー　ウー （等々） とっても気持ちいいぞ　どうしてか分かんないけど！ 今日みたいにこんなにぐっすり眠れたことはない！ 【グレーテル】 だけど聞いてよ　この木の下で あたし　とってもスゴイ夢をみたのよ！ 【ヘンゼル】 （考え込みながら） そうさ！ぼくも夢を見たよ！ 【グレーテル】 夢であたし　ざわめきとすずの音を聞いたの 天使の合唱のような天国の歌声を バラ色のかがやきの中　光の雲が 暗やみの中をただよってきたの 見たのよ　とつぜん明るくなって 天からのかがやきがふってきて 金色のかいだんを　あたし見たわ 天使たちがまいおりて来たの 金色のはねのかわいい天使たちが 【ヘンゼル】 （途中でさえぎって） たしか１４人いたよね！ 【グレーテル】 （びっくりして） それじゃ　全部見たのね？ 【ヘンゼル】 もちろんさ　すごくきれいだったよ！ あっちの方へ行くのを見たんだ （ヘンゼルは振り向いて奥の方を見る　その瞬間に最後の霧が晴れる　すると松の茂みがあったところにのぼって行く太陽の光に照らされて「ジンジャーブレッドの家」がイルゼ岩のそばに立っている　左側の少しはなれたところにパン焼きのかまどがある　右側には大きな鳥カゴ　その両方ともがジンジャーブレッドの家にお菓子の人形の壁でつながっている） 【グレーテル】 （びっくりしてヘンゼルを後にさがらせて） じっとして！　じっとして！ 【ヘンゼル】 （驚いて） なんだ　いったいなんの魔法なんだろう？ こんなもの　今まで見たことがないぞ！ （ふたりはそのジンジャーブレッドハウスを魔法にかけられたようにじっと見つめる） 【グレーテル】 （だんだん落ち着いてくる） とってもいいにおいがするわ ねえ見て　とってもきれいな ケーキやトルテの... （ヘンゼルと一緒に） ...小さなおうち クッキーやトルテで 高いやねはできていて まどは　ほんものの まっしろなおさとう みずみずしいブドウが 軒さきに並んでいて すごい！まわりに見えるのは ジンジャーブレッドのフェンスだ！ おお　すてきなお城 お前はかわいくておいしそうだよ 森のお姫さまが もしかすると住んでいるのかもね？ ああ　もしこのおうちに きれいな森のお姫さまがいるのなら パーティを開いてくれるんだろうに ケーキとワインで すごいパーティーをね ぼくたちもなかまに入れてよ ぼくたちもなかまに入れてよ　入れてよ！ 【ヘンゼル】 音がしないし　だれもいないみたいだ！ さあ　あそこに行ってみよう！ 【グレーテル】 （おびえて彼を引きとめる） ほんきでそう思ってるの？ ねえ　どうしてそんなに向こう見ずなの？ わかんないじゃない　何がこのふしぎな家の中にいるのか？ 【ヘンゼル】 ああごらんよ　ごらん　あの小さな家はぼくたちにほほ笑んでる！ああ！天使たちがぼくたちのために持ってきたのさ！ 【グレーテル】 （考え込んで） 天使？　ええ　きっとそうね！ 【ヘンゼル】 そうさ　グレーテル　ぼくたちをさそってくれてるんだよ！ さあ　ちょびっとだけでもかじらせてもらおうよ！ 【ふたり】 さあ　かじってみましょう さあ　かじってみましょう　二ひきのネズミがかじるみたいに （手をつないで奥に向かってスキップしていき　順番に家の前に立ってから　注意深くつま先立ちでこっそり近づく　少しためらった後　ヘンゼルは右端の角のケーキのかけらをこわす） 【家からの声】 むしゃむしゃむしゃと　だれが私の家をかじっているんだい （ヘンゼルはびっくりしてケーキのひときれを落としてしまう） 【ヘンゼル】 いまの聞いた？ 【グレーテル】 （おずおずと） 風よ.... 【ヘンゼル】 ...風だね.... 【ふたり】 ...天の子よ！ 【グレーテル】 （再びケーキのかけらを取って味見してみる） うーん！ 【ヘンゼル】 （グレーテルをうらやましそうに見て） 味はどう？ 【グレーテル】 （ヘンゼルに少し食べさせて） 少しわけてあげるわ！ 【ヘンゼル】 （うっとりして胸の上に手を置く） ホイ！ 【グレーテル、ヘンゼル】 ホイ！ （等々） おお　おいしいケーキ なんて甘い味がするんでしょう！ まるであたし 天国にいるみたいよ！ 【ヘンゼル】 ハッ　なんてうまいんだ！ 【グレーテル】 これ　おいしすぎよ！ 【ヘンゼル】 なんて甘いんだ！ 【グレーテル】 なんておいしいの！ 【ヘンゼル】 ああ.... 【グレーテル】 なんて甘いの！ 【ヘンゼル】 ...なんておいしいんだ！ 【グレーテル】 きっとここにお菓子やさんが住んでるのね！ 【ヘンゼル】 おい　お菓子！気をつけろ！ 穴が今あけられるんだぞ　小さなネズミに！ （彼は壁のケーキの大部分を壊す） 【家からの声】 むしゃむしゃむしゃと　だれが私の家をかじっているんだい？ 【グレーテル、ヘンゼル】 風よ　風よ　天の子よ！ （ドアの上のところが静かに開いて悪い魔女の頭が見える　子供たちはそれには気づかず陽気にさわいでいる　すると魔女はドアを完全に開き、子どもたちに向かってこっそりに忍び寄ると　ヘンゼルの無防備な背中からロープを彼の首めがけて投げつける） 【グレーテル】 ちょっと待って　くいしんぼネズミさん ネコが家から出て来るわよ 【ヘンゼル】 （かじりつづけながら） もっと食べたいんだ じゃましないでくれよ 【グレーテル】 （彼の手からかけらをひったくって） あわてちゃだめよ 風さん　風さん！ 【ヘンゼル】 （それをうばい返して） 天の子よ　ぼくの見つけたのはぼくのものだよ！ 【グレーテル、それからヘンゼル】 （笑う） ハハハ （等々） 【お菓子の魔女】 （派手に笑う） ヒ　ヒ　ヒ　ヒ （等々） 【ヘンゼル】 （おびえて） あっちいけ！だれだおまえ？あっちいけ！ 【魔女】 （子どもたちを引っ張って） 天使ちゃんたちや！ あたしのおちびちゃんたちや！ （子供たちをなでて） 会いに来てくれたんだね？かわいいねぇ！ かわいい子供たちだ　まるまると太って！ 【ヘンゼル】 （逃げようと必死に無駄な抵抗をする） だれだおまえ　こわいおばさん？はなせ！ 【魔女】 まあ　かわいい子や　強がったりしなくてもいいんだよ！ すぐにわかるさ　あたしが全然こわくはないってことをね あたしゃ甘いもの好きのロジーナだよ 心の中はいつでもやさしいのさ 小さな子どものように無邪気だよ！ だから小さい子どもが大好きなのさ！ かわいいねえ　かわいいねえ　ああ！食べちゃいたいくらいに！　（ヘンゼルをなでる） 【ヘンゼル】 あっちいけ！ぼくの前からいなくなれ！ （足をふみならしながら） きけよ　ぼくはお前なんかきらいなんだ！ 【魔女】 （派手に笑って） なんておいしそうないたずらっ子たちだろうねえ 特にお前　あたしのかわいい女の子や！ さあ、小さなネズミちゃん あたしの小さなおうちにおいで！ お前たち　来ればきっといいことがあるよ 中にはおいしいお菓子がいっぱいなのさ！ チョコレート　トルテ　マージパン 甘いクリームをかけたケーキ 豆のお菓子に 聖母さまのお菓子 それにおかゆがストーブの上にのってるよ ほしブドウに　イチジクに そしてアーモンドやココナッツ 家の中にあるものは　みなお前たちのものさ そう　みなお前たちのものさ 【ヘンゼル】 いっしょになんて行くもんか　いやなおばさんめ！ 【グレーテル】 あんたはなれなれしすぎるのよ！ 【魔女】 ごらんよ　ごらん！ ごらん　かしこい子！ 子どもたちや　あたしゃあんたたちにやさしくしてあげるよ あたしと一緒だと　あんたたちゃ天国にいるみたいなんだよ！ さあ、小さなネズミちゃん あたしの小さなおうちにおいで！ お前たち　来ればきっといいことがあるよ 中にはね... 【グレーテル】 ねえ、あんたは何するつもりなの... 【魔女】 ...おいしいお菓子がいっぱいなのさ！ 【グレーテル】 ...あたしのおにいちゃんに何すんの？ 【魔女】 それはだね... あたしゃこの子にたらふく食わせてやるのさ 栄養たっぷりのものばかりをね そして柔らかくておいしくするんだよ そしてこの子がおとなしくて　お行儀がよくて ヒツジみたいにすなおでガマンづよければね そしたらね　ヘンゼル　あたしゃお前の耳にささやいてあげるよ　とってもうれしいことがあるよってね！ 【ヘンゼル】 だったらはっきり言えよ　大声で　耳もとでささやかずに... 【魔女】 ヘッ？ 【ヘンゼル】 どんなうれしいことがぼくにあるって言うんだよ？ 【魔女】 ああ　かわいい子どもたちや　お聞き　そしてごらん あんたたちはよろこびのあまりに死んでしまうんだよ！ 【ヘンゼル】 ああ　ぼくは目も耳もいいからね！ ちゃんとわかるのさ　あぶないってことは！ （力づよく） グレーテル　しんじちゃだめだ　あんなウソを！ さあ　妹よ　逃げよう （彼はその間にロープから抜け出してグレーテルといっしょに手前の方へ走って行こうとする　だが二人は魔女に引き戻される　魔女が腰のおびにかけていたつえをふたりにむかって振り上げて魔法をかけるようなしぐさをしたのだ） 【魔女】 お待ち！ （舞台はだんだん暗くなる） ホークス　ポークス　魔女の杖！ 動こうとしたら　お前たちを川が止めるのさ！ 前にも後ろにも動けないだろ？ わるい目がお前たちに魔法をかけたのさ！ 頭も固まって首もまわらないよ！ （つえの先がはげしく光りはじめる） ホークス　ポークス　お次はヨークス 子どもたち　この魔法のつえをごらん 目をこちらに　頭をじっとして 物置にお入り　このバカめ （また新しい呪文　つえの光に目がひきつけられて動けないヘンゼルを引っ張って行く 物置におしこめて格子のある扉を閉める） ホークス　ポークス　ボーヌス　ヨークス マリュス　トーカス　ホークス　ポークス！ ボーヌス　ヨークス　マリュス　ローカス！ （だんだんステージはまた明るくなってきて　魔法のつえの光も弱まっていく） ホークス　ポークス　ボーヌス　ヨークス マリュス　ロークス　ホークス　ポークス！ （まだ動かないで立っているグレーテルに向かって楽しそうに） さあグレーテル　おりこうにしてるんだよ ヘンゼルはすぐに太るだろうよ そうなってもらわなきゃならぬ　できるだけね あまいアーモンドとレーズンで太らすのさ あたしゃ家に入って　いそいで取ってくるからね お前はそこでじっとしてるんだよ！ （魔女はニヤリとしながら指で彼女をおどかして家の中に入る） 【グレーテル】 （かたまって動けずに） ふぅ！なんてこわい魔女なんでしょう！ 【ヘンゼル】 （急いでささやく） グレーテル　しーっ！そんな大声でしゃべっちゃだめだ！ よく考えて　しっかり注意していようよ どんなことでも魔女はやってしまうからね 魔女がさせようとすることを何でもきいてるふりをして - ここに魔女がもう戻ってくるよ - しーっ！だまって！ （魔女は出てきて　グレーテルがまだ静かでいることを確かめてから　ヘンゼルのためにバスケットいっぱいのアーモンドとレーズンを出す） 【魔女】 さあ　ぼうや お前の舌につめこんでやろう！ （ヘンゼルの口の中にレーズンを押し込む） お食べ　鳥ちゃん　でなきゃ死ぬよ！ お菓子のくすりを　しっかりお食べよ！ （グレーテルの方を向き　ネズの木の枝で魔法をとく） ホークス　ポークス　マルベリーの林！ うごけ　手足よ　シュッ！ （グレーテルは再び動けるようになる） さあまた動けるようになったね　かわいいちびちゃん あたしのためにすばやく足を動かしとくれ！ お行き　お人形ちゃん　さっさといそいで 中のちいさなテーブルから取っておいで ボウルに　おさらに　ナイフにフォーク あたしの口をふくナプキンもだよ さあ　とっととするんだよ さもなきゃお前も物置にぶちこむからね！ （魔女は笑いながらおどかしてグレーテルを急がせる） ヒ　ヒ　ヒ　ヒ　ヒ　ヒ！ （立ったままで眠っているヘンゼルに） おや　坊やは寝てるようだね　まあ見てごらんよ まったく若いもんはよく眠るもんだ！ まあ ぐっすり眠っておきなさい　かわいい羊ちゃん もうすぐお前は永久に眠るんだからね だけど　まずはグレーテルの方にしようかねぇ お前の方から　おじょうちゃん　始めようか かわいくて　やわらかくて　まるくて 魔女の口にぴったりだよ！ （魔女はかまどのドアを開けて中のにおいをかぐ　彼女の顔は派手な濃い赤い光で照らされる） 生地のしたくができたら　いよいよ焼けるんだよ ほら　なんてかまどの中で火が燃えさかっていることか！ （魔女はさらに何本かのまきを下にくべる　 - 炎は高く吹き上がり　そしてまた静まる　魔女はうれしそうに両手をこする） そうさ　グレーテルちゃん もうすぐ焼いたお菓子になるんだよ！ ごらん　ごらん ごらんよ　かしこい子！ さあ　すぐにかまどの中をのぞいて ジンジャーブレッドのようすを見るんだよ！ お前が中にはいったら　ドシン！ ドアをしめるのさ そしたらかわいいグレーテルちゃんは あたしの焼き菓子さ！ こんがり焼けて変わるのさ おさとうとアーモンドののったお菓子にね！ あたしの魔法のかまどの中で お前はおいしいジンジャーブレッドになるんだよ！ ごらん　ごらんよ　かしこい子！ ヒ　ヒ　ヒ　ヒ （等々） （はげしく喜んで魔女はほうきをつかみ　それにまたがって馬のようにかけ回る） そら　ホップ　ホップ　ホップ ギャロップ　ロップ　ロップ あたしのお馬 そらホップ　ぐずぐずするな！ （ほうきに乗ってあたりをスキップする） やりたいほうだい 明るい昼間に ぐるぐる飛びはねながら 家のまわりを回るのさ！ （再びほうきに乗る　一方グレーテルは窓のところで聞き耳を立てている） まっくらな夜 みんな眠っているとき 魔女のパーティのために えんとつから出るのさ！ 五と六から 魔女は言うのさ 七と八ができるってね そういうことさ 九はひとつで 十はなんにもない たくさんは　なんにもない 魔女はそう言うんだよ！ こんな風に魔女は夜明けまで馬に乗るのさ！ （はげしく飛びはねながら魔女はほうきにまたがって舞台の奥を走り回る　ジンジャーブレッドの家の後に一度消えるがまたあらわれる　手前に来ると魔女は突然止まる） プルル！ほうきの馬よ　高く！ （魔女は物置に飛びはねながら戻ると　ヘンゼルをほうきでくすぐって目をさまさせる） さあ　起きな　ぼうや お前の舌を見せとくれ （ヘンゼルは自分の舌を伸ばす） とろりと　やわらか！ムゥ　ムゥ　ムゥ！ うまそうな　うまそうな！ムゥ　ムゥ　ムゥ！ うまそうな小さいいたずらっ子ちゃん お前のゆびを見せとくれ （ヘンゼルは木のえだをつきだす） おや！まあ！ 棒きれみたいじゃないか　ああ！ ぼうや　お前のゆびは ちっちゃくてみすぼらしいよ！ （よび出す） おい！グレーテルや！ （グレーテルはドアのところに現れる） レーズンとアーモンドをここに持っておいで ヘンゼルがもっと食べたいんだよ！ （グレーテルは家の中にスキップして入り　すぐにレーズンとアーモンドでいっぱいのバスケットを持って戻ってくる） 【グレーテル】 アーモンドはここよ！ （魔女がそれをヘンゼルに食べさせている間に　こっそりと魔女の後ろに行き　ネズの木の枝を手にとって） （こっそりと） ホークス　ポークス　マルベリーの林　 うごけ　手足よ　シュッ！ 【魔女】 （いそいでふりむいて） 何て言ったんだい　グレーテルちゃんや？ （ヘンゼルはまた動けるようになる） 【グレーテル】 （すこしどぎまぎして） おいしく食べてね　ヘンゼルちゃん！って言いました 【魔女】 へっ？ 【グレーテル】 （もっと大声で） おいしく食べてね　ヘンゼルちゃん！って 【魔女】 ヒ　ヒ　ヒ！あたしのかわいいヒナちゃんや お前にもエサを食わせてやろうかねぇ！ （グレーテルの口の中にもレーズンを押し込む） お食べ　鳥ちゃん　でなきゃ死ぬよ！ お菓子のくすりを　しっかりお食べよ！ （魔女はかまどのとびらを開き、火はすこしおさまった　ヘンゼルはグレーテルが気付くように合図をする） 【ヘンゼル】 （そっと物置の戸を開けて） 妹よ　気を付けろ！ 【魔女】 （グレーテルをいやらしい目で見て） 口からよだれが出そうだよ このうまそうな子を見てると！ おいで　グレーテルちゃん お砂糖みたいな女の子や！ （グレーテルは近づいてゆく） かまどに首をつっこんで ジンジャーブレッドをよく見ておくれ しっかり見張ってておくれよ　そう！ こんがり茶色に焼けてるかどうか それともまだ焼けてないのかを たやすい仕事だよ！ （グレーテルはためらっている） 【ヘンゼル】 （かごからこっそり抜け出して） 妹よ　気を付けろ！ 【グレーテル】 （とぼけた顔をして） えっ　よくわからないのですけど どうすればいいのか？ 【魔女】 お前がしなきゃならないのは 少しのびあがることだけさ！ 頭を前に出すんだよ ままごとみたいなもんだろう！ 【ヘンゼル】 （グレーテルの服をつかんで） 妹よ　気を付けろ！ 【グレーテル】 （自信なさそうに） あたし　とってもバカなの やりかたがよくわかってません！ だからやって見せてくださいな どうやってのびあがればいいんですか？ 【魔女】 （せっかちなジェスチャーをしながら） 頭を前に出すんだよ ままごとみたいなもんだろう！ （魔女はぶつぶつ言いながら　オーブンの口を覗き込み　体を半分中へと伸ばす　そこをヘンゼルとグレーテルがはげしく突き飛ばすので　魔女はかまどの中に飛び込んでしまう　二人はすばやくドアを閉じる） 【グレーテル、ヘンゼル】 （あざけるように） "お前が中にはいったら　ドシン！ ドアをしめるのさ　バタン！ " お前はグレーテルのかわりに ... こんがりやけたお菓子になるのさ！ （ヘンゼルとグレーテルはおおよろこびでだきあう） ヤッホー！魔女をやっつけたぞ ネズミのように死んで　もうこわいものはない！ ヤッホー！魔女はしずかになった ネズミのように静かになって　あとはケーキがいっぱいだ 今はもう　こわいことはおしまいだ こわい魔女もいない おそろしい夢は終わったんだ！ （おたがいの手をにぎり合う） さあ　よろこびいっぱいに たき火のまわりをおどろうよ お菓子の家の中にはあふれてる すばらしい喜びのごちそうが ヘイ　ユッヘ　ユッヘ！．．． （ふたりは互いに抱き合いながらぐるぐる回り　それから手前のジンジャーブレッドの家の方に向かう　ジンジャーブレッドの家のところまでくるとヘンゼルはグレーテルから体をはなして家の方に駆け入るとドアをこわして　上の入口からリンゴやナシ　オレンジや金色のナッツ　あらゆる種類のお菓子をエプロンを広げているグレーテルに向かって投げる　一方　オーブンの中の魔女は力強くはぜ始めて　炎が空高く燃え上がる　それから激しい爆音がして　オーブンは雷のように崩壊する　。ヘンゼルとグレーテルは驚きのあまり獲物を落とし　あわてて駆け寄るとそこで凍り付いたように動けなくなる　彼らの驚きは最高潮にまで高まる　列をなした子供たちがその体を包んでいたケーキの皮を落として立っていたことに気が付いて） 【ヘンゼル】 あそこに　ちいさな子どもたちが見えるぞ！ 【グレーテル】 どこから来たのかしら？ 【お菓子になった子供たち】 （まるでお菓子のすがただったときのように動かず目をとじている） たすかった　自由だ これからずっと！ 【グレーテル】 小さなお目々はとじてるわ まだ眠ってるのに　とてもすてきに歌ってるのよ！ 【お菓子になった子供たち】 わたしにさわって　そしたらわたし　目があけられるの！ 【ヘンゼル】 （恥ずかしそうに） お前がさわってくれるかい　ぼくには自信がないや！ 【グレーテル】 ええ　このかわいいお顔をなでてあげましょう！ （彼女は近くにいる子をなでると その子の目があいてほほ笑む） 【お菓子になった子供たち】 わたしにさわって　わたしにさわって そしたらわたし　目があけられるの！ （グレーテルは別の子どもたちもなでていく　彼らは笑みを浮かべて目を開くがじっと立ったままである　そこでヘンゼルはネズの木の枝を手に取って） 【ヘンゼル】 ホークス　ポークス　マルベリーの林！ うごけ　手足よ　シュッ！ （子どもたちは飛び上がって　四方からかけよってくる） 【お菓子になった子供たち】 ありがとう　ありがとう　あなたたちが生きている間ずっと！ （子どもたちはヘンゼルとグレーテルのまわりに列をつくって集まる） 魔法はとけたぞ 今ぼくたちは歌ってとびはねる　幸せに　自由に！ さあ　子どもたち　わになっておどろう！ みんなでちいさな手をとりあって！ さあ歌って飛びはねよう　さあおどって歌おう すてきなお菓子が　ぼくたちをよんでる こうして歌って飛びはねるんだ （等々） よろこびのこのさけびを森中にひびかせよう 喜びのこだまが鳴りひびく　この森のまわりに！ （うしろに下がって） ありがとう！ありがとう！ 【ヘンゼル】 天使は夢の中でそう言っている しずかな夜に... （四人のお菓子になった子どもがヘンゼルとグレーテルを囲み　おじぎをする） ...なんてすばらしい... 日がやってきたんだろう 【お菓子になった子供たち】 たたえよう　感謝しよう！ 【グレーテル】 天使さんたちは　あたしたちをずっと見守ってくださっている 昼も　夜も あなたたちもたたえましょう　感謝しましょう　このかがやきに　ここでわたしたちにほほ笑んでいる わたしたちにとても幸せにほほ笑んでいる！ 【ヘンゼル】 天使さんたちは　ぼくたちをずっと見守ってくださっている 昼も　夜も たたえよう　感謝しよう たたえよう　感謝しよう　このかがやきに ぼくたちにとても幸せにほほ笑んでいる！ 【お菓子になった子供たち】 たたえよう　感謝しよう　このかがやきに ここでわたしたちにほほ笑んでいる！ ありがとう　あなたたちが生きている間ずっと！ （等々） （みな寄り集まってきてヘンゼルとグレーテルと握手をする） 【全員】 たたえよう　感謝しよう．．． 【おとうさん】 （舞台裏で） ラ・ラ・ラ・ラ、ラン・ラ・ラ・ラ、 わが子がどこか　探しているぞ！ ラ・ラ・ラ・ラ、ラン・ラ・ラ・ラ、 ユッフ！ああ、あそこにいたぞ！ （おとうさんは奥からおかあさんと一緒に現れ、子供たちを見て立ち止まる） 【ヘンゼル】 （彼らのほうに向かって急いで） おとうさん！おかあさん！ 【グレーテル】 （同じように） おとうさん！おかあさん！ 【おかあさん】 子供たち！ 【おとうさん】 ああそこにいたな　あわれな罪人たちは！ （彼らはよろこんで抱き合う　その間　二人の男の子は大きなジンジャーブレッドになった魔女を魔法のかまどからひっぱり出す　みんなそれを見てよろこびが爆発する） 【全員】 ヘイ！ 【おとうさん】 子どもたちや　ようく見てごらん 魔女がどうやって魔法をかけるのかを こんなにカリカリにかたくなるまで 自分でお菓子になってしまったんだ！ 【他の全員】 さあ見てみよう　見てみよう 魔女がどうやって魔法をかけるのかを こんなにカリカリにかたくなるまで 自分でお菓子になってしまったんだ！ （二人の男の子がジンジャーブレッドハウスに魔女を運んでくる） 【おとうさん】 神さまがたすけてくださったのさ 悪いことが放っておかれることはない いちばん困っているときにこそ 神さまが手をさしのべてくださるんだ！ そう　いちばん困っているときにこそ 神さまが手をさしのべてくださるんだ！ 【グレーテル　ヘンゼル　おかあさん　ケーキの子供たち】 いちばん困っているときにこそ （おとうさんと一緒に） 神さまが手をさしのべてくださるんだ！ （子供たちは楽しげに一家のまわりを囲んでダンスを踊る、幕が下りる） DRITTES BILD Vorspiel Das Knusperhäuschen Szene wie am Schlusse des 2. Bildes. Der Hintergrund noch von Nebel verhüllt, der sich während des Folgenden langsam verzieht. Die Engel sind verschwunden. Der Morgen bricht an. Taumännchen tritt auf und schüttelt aus einer Glockenblume Tautropfen auf die schlafenden Kinder. TAUMÄNNCHEN Der kleine Taumann heiss ich, und mit der Sonne reis ich, von Ost bis Westen weiss ich, wer faul ist und wer fleissig, kling! klang! kling! klang! Ich komm mit gold nem Sonnenschein und strahl in eure Äugelein, und weck mit kühlem Taue, was schläft auf Flur und Aue, dann springet auf, wer munter in früher Morgenstunde, denn sie hat Gold im Munde; drum auf, ihr Schläfer, erwachet! Der lichte Tag schon lachet, drum auf, ihr Schläfer, erwacht, erwacht! (Eilt singend davon.) (Die Kinder regen sich. Gretel reibt sich die Augen, blickt um sich und richtet sich ein wenig auf während Hänsel sich auf die andere Seite legt, um weiter zu schlafen.) GRETEL Wo bin ich? Wach ich? Ist es ein Traum? Hier lieg ich unterm Tannenbaum! Hoch in den Zweigen da lispelt es leise, Vöglein singen so süsse Weise, wohl früh schon waren sie aufgewacht und haben ihr Morgenliedchen dargebracht. Ihr lieben Vöglein, liebe Vöglein, guten Morgen! (Sie wendet sich zu Hänsel.) Sich da, der faule Siebenschläfer! Wart nur, dich weck ich! Ti-re-li-re-li, s ist nicht mehr früh! Ti-re-li-re-li, s ist nicht mehr früh! Die Lerche hat s gesungen und hoch sich aufgeschwungen. Ti-re-li-re-li (usw.) HÄNSEL (Plötzlich mit einem Satze in die Höhe springend) Ki-ke-ri-ki! s ist noch früh! Ki-ke-ri-ki! s ist noch früh! Ja, hab s wohl vernommen Der Morgen ist gekommen! GRETEL Ti-ti-ti-ti-ti-re-li-re usw. HÄNSEL Ki-ke-ri-ki! Ü-ü-ü-ü-ü (usw.) Mir ist so wohl, ich weiss nicht wie! So gut wie heute schlief ich noch nie! GRETEL Doch höre nur Hier, unterrn Baum, hatt ich nen wunderschönen Traum! HÄNSEL (nachdenklich) Richtig! Auch mir träumte was! GRETEL Mir träumte, ich hör ein Rauschen und Klingen, wie Chöre der Engel ein himmlisches Singen. Lichte Wölkchen in rosigem Schein wallten und wogten ins Dunkel hinein. Siehe Helle ward s mit einem Male, licht durchflossen vom Himmetsstrahle, eine gold ne Leiter sah ich sich neigen, Engel hernieder steigen, gar holde Englein mit gold nen Flügelein. HÄNSEL (sie lebaft unterbrechend) Vierzehn müssen s gewesen sein! GRETEL (erstaunt) Hast du denn alles dies auch gesehen? HÄNSEL Freilich, s war wunderschön! Und dorthin sah ich sie gehn. (Hänsel wendet sich nach dem Hintergrunde In diesem Augenblicke zerreisst der letzte Nebelschleier. An Stelle des Tannengehölzes erscheint glitzernd im Strahle der aufgegangenen Sonne das "Knusperhäuschen" am Ilsensteine. Links davon in einiger Entfernung befindet sich ein Backofen. Diesem rechts gegenüber ein grosser Käfig, beide mit dem Knusperhäuschen durch einen Zaun von Kuchenmännern verbunden.) GRETEL (hält Hänsel betroffen zurück) Bleib stehn, bleib stehn! HÄNSEL (überrascht) O Himmel, welch Wunder ist hier geschehn? Nein, so was hab ich mein Tag nicht gesehn! (Beide blicken wie verzaubert auf das Knusperhäuschen.) GRETEL (gewinnt allmählich die Fassung wieder) Wie duftet s von dorten, o schau nur diese Pracht, Von Kuchen und Torten ... (mit HÄNSEL zusammen) ... ein Häuslein gemacht, mit Fladen und Torten ist s hoch überdacht, die Fenster wahrhaftig, wie Zucker so blank, Rosinen gar saftig den Giebel entlang, und traun! rings zu schau n gar ein Lebkuchenzaun! O herrlich Schlösschen, wie bist du schmuck und fein, Welch Waldprinzesschen mag da wohl drinnen sein? Ach, wär doch zu Hause Waldprinzessin fein, sie lüde zum Schmause bei Kuchen und Wein, zum herrlichsten Schmause uns beide freundlich ein, uns freundlich ein, uns freundlich ein! HÄNSEL Alles bleibt still, nichts regt sich da drinnen! Komm, lass uns hineingehn! GRETEL (ihn erschrocken zurückhaltend) Bist du bei Sinnen? Junge, wie magst du so dreist nur sein? Wer weiss, wer da drin wohl im Häuschen fein? HÄNSEL O sieh nur, sieh, wie das Häuslein uns lacht! Ha! Die Englein haben s uns hergebracht! GRETEL (sinnend) Die Englein? Ja, so wird es wohl sein! HÄNSEL Ja, Gretel, sie laden freundlich uns ein! Komm, wir knuspern ein wenig vom Häuschen! BEIDE Komm, ja knuspern wir, komm, ja knuspern wir wie zwei Nagemäuschen! (Sie hüpfen Hand in Hand nach dem Hintergrunde, bleiben wiederum stehen und schleichen dann vorsichtig auf den Fussspitzen bis an das Häuschen. Nach einigem Zögern bricht Hänsel an der rechten Kante ein Stückchen Kuchen heraus.) Eine STIMME aus dem Häuschen Knusper, knusper Knäuschen, wer knuspert mir am Häuschen? (Hänsel stutzt und lässt erschrocken das Stückchen Kuchen fallen.) HÄNSEL Hast du s gehört? GRETEL (etwas zaghaft) Der Wind.... HÄNSEL ... der Wind.... BEIDE ... das himmlische Kind! GRETEL (hebt das Stück Kuchen wieder auf und versucht es) Hm! HÄNSEL (Gretel begehrlich anschauend) Wie schmeckt das? GRETEL (lässt Hänsel beissen) Da hast du auch was! HÄNSEL (legt entzückt die Hände auf die Brust) Hei! GRETEL, HÄNSEL Hei! (usw.) O köstlicher Kuchen, wie schmeckst du nach mehr! Mir ist ja, als wenn ich im Himmel schon wär! HÄNSEL Ha, wie das schmeckt! GRETEL s ist gar zu lecker! HÄNSEL Wie süss! GRETEL Wie köstlich! HÄNSEL Ha.... GRETEL Wie süss! HÄNSEL ... wie lecker! GRETEL Vielleicht hier wohnt gar ein Zuckerbäcker! HÄNSEL He, Zuckerbäcker! Nimm dich in Acht! Ein Loch wird dir jetzt vom Mäuslein gemacht! (Er bricht ein grosses Stück Kuchen aus der Wand.) Die STIMME aus dem Häuschen Knusper, knusper Knäuschen, wer knuspert mir am Häuschen? GRETEL, HÄNSEL Der Wind, der Wind, das himmlische Kind! (Der obere Teil der Haustüre öffnet sich leise und der Kopf der Knusperhexe wird sichtbar Die Kinder bemerken sie nicht und schmausen lustig weiter Dann öffnet sie vollends die Tür, schleicht behutsam auf die Kinder zu und wirft Hänsel, der ihr ahnungslos den Rücken wendet, einen Strick um den Hals.) GRETEL Wart, du näschiges Mäuschen, gleich kommt die Katz aus dem Häuschen HÄNSEL (weiter kauend) Knusp re nur zu und lass mich in Ruht GRETEL (reisst ihm das Stück aus der Hand) Nicht so geschwind, Herr Wind, Herr Wind! HÄNSEL (nimmt es ihr wieder) Himmlisches Kind, ich nehm , was ich find! GRETEL, dann HÄNSEL (lachend) Ha ha ha (usw.) KNUSPERHEXE (grell lachend) Hi hi, hi hi (usw.) HÄNSEL (entsetzt) Lass los! Wer bist du? Lass mich los! HEXE (die Kinder an sich ziehend) Engelchen! Und du mein Bengelchen! (Sie streichelt die Kinder.) Ihr kommt mich besuchen? Das ist nett! Ihr lieben Kinder, so rund und fett! HÄNSEL (macht verzweifelte Anstrengungen, sich loszumachen) Wer bist du, Garstige? Lass mich los! HEXE Na, Herzchen, zier dich nicht erst gross! Wisst denn, dass euch vor mir nicht graul . Ich bin Rosine Leckermaul, höchst menschenfreundlich stets gesinnt, unschuldig, wie ein kleines Kind! Drum hab ich die kleinen Kinder so lieb! so lieb, so lieb, ach! zum Aufessen lieb! (Sie streichelt Hänsel) HÄNSEL Geh, bleib mit doch aus dem Gesicht! (Er stampft mit dem Fusse) Hörst du, ich mag dich nicht! HEXE (grell lachend) Was seid ihr für leckere Teufelsbrätchen, besonders du, mein herziges Mädchen! Kommt, kleine Mäuslein, kommt in mein Häuslein! Ihr sollt s gut bei mir haben, will drinnen köstlich euch laben! Schokolade, Torten, Marzipan, Kuchen, gefüllt mit süsser Sahn , Johannisbrot und Jungfernleder, und Reisbrei, auf dem Ofen steht er, Rosinen und Feigen und Mandeln und Datteln sich zeigen s ist alles im Häuschen eu r eigen, ja, alles eu r eigen! HÄNSEL Ich geh nicht mit dir, garstige Frau! GRETEL Du bist gar zu freundlich! HEXE Schau, schau! Schau, wie schlau! Ihr Kinder, ich mein s ja so gut mit euch, ihr seid ja bei mir wie im Himmelreich! Kommt, kleine Mäuslein, kommt in mein Häuslein! Ihr sollt s gut bei mir haben, will drinnen ... GRETEL So sprich Was willst du ... HEXE ... köstlich euch laben. GRETEL ... meinem Bruder tun? HEXE I nun... Ich will ihn futtern und nudeln, mit allerhand vortrefflichen Sachen ihn zart und wohlschmeckend machen. Und ist er dann nicht zahm, und brav, und fügsam und geduldig wie ein Schaf, dann, Hänsel, ich sag dir s in s Ohr, dir steht eine grosse Freude bevor! HÄNSEL So sag s, doch laut und nicht ins Ohr ... HEXE He? HÄNSEL Welch grosse Freude steht mir bevor? HEXE Ja, liebe Kinder, Hören und Sehn wird euch bei diesem Vergnügen vergehn! HÄNSEL Ei, meine Augen und Ohren sind gut! Haben wohl acht, was Schaden mir tut! (entschlossen) Gretel, trau nicht dem gleissenden Wort! Komm, Schwesterchen, wir laufen fort. (Er hat sich mittlerweile von der Schlinge befreit und läuft mit Gretel zum Vordergrunde. Hier werden sie von der Hexe zurückgehalten, die gebieterisch ein am Gürtel hängendes Stäbchen mit wiederholten Gebärden des Festbannens gegen die beiden erhebt.) HEXE Halt! (Die Bühne verfinstert sich allmählich.) Hokus pokus, Hexenschuss! Rühr dich und dich trifft der Fluss! Nicht mehr vorwärts, nicht zurück? Bann dich mit dem bösen Blick! Kopf steh starr dir im Genick! (Der Knopf des Stäbchens beginnt intensiv zu leuchten.) Hokus pokus, nun kommt jocus Kinder, schaut den Zauberknopf, Äuglein stehet still im Kopf!. Nun zum Stall hinein, du Tropf. (Neue Gebärde; dann leitet sie Hänsel, dessen Blick starr auf den leuchtenden Knopf gerichtet ist, zum Stalle und schliesst hinter ihm die Gittertüre.) Hokus pokus, bonus jocus, malus tocus, hokus pokus! Bonus jocus, malus locus! (Allmählich erhellt sich die Bühne wieder, während der Glanz des Zauberknopfes abnimmt.) Hokus pokus, bonus jocus, malus locus, hokus pokus! (Vergnügt zu Gretel, die noch immer regungslos dasteht) Nun Gretel, sei vernünftig und nett, der Hänsel wird nun balde fett. Wir wollen ihn, so ist s am besten, mit süssen Mandeln und Rosinen mästen. Ich geh ins Haus und hole sie schnell, du rühre dich nicht von der Stell ! (Sie droht grinsend mit dem Finger und geht ins Haus.) GRETEL (starr und unbeweglich) Hu! Wie mir vor der Hexe graut! HÄNSEL (hastig flüsternd) Gretel, pst! sprich nicht so laut! Sei hübsch gescheit und gib fein acht auf jedes, was die Hexe macht. Zum Schein tu alles, was sie will - da kommt sie schon zurück - pst! still! (Die Hexe kommt hervor, überzeugt sich, ob Gretel noch stille steht, worauf sie dem Hänsel aus einem Korb Mandeln und Rosinen hinstreut.) HEXE Nun, Jüngelchen, ergötze dein Züngelchen! (Steckt Hänsel eine Rosine in den Mund.) Friss, Vogel, oder stirb! Kuchenheil dir erwirb! (Sie wendet sich zu Gretel und entzaubert sie mit einem Wacholder.) Hokus pokus Holderbusch! Schwinde Gliederstarre, husch! (Gretel rührt sich wieder.) Nun wieder kregel, süsses Kleinchen, rühr mir geschwind die runden Beinchen! Geh, mein Püppchen, flink und frisch, decke drinnen hübsch den Tisch Schüsselchen, Tellerchen, Messerchen, Gäbelchen, Serviettchen für mein Schnäbelchen; nun mach alles recht hurtig und fein, sonst sperr ich dich auch in den Stall hinein! (Sie droht kichernd; Gretel eilends ab.) Hi hi hi hi hi hi! (zu dem sich schlafend stellenden Hänsel) Der Lümmel schläft ja, nun sieh mal an, wie doch die Jugend schlafen kann! Na, schlaf nur brav, du gutes Schaf, bald schläfst du deinen ew gen Schlaf. Doch erst die Gretel muss mir dran, mit dir, mein Mädel, fang ich an; bist so niedlich, zart und rund, wie gemacht für Hexenmund! (Sie öffnet die Backofentüre und riecht hinein, wobei ihr Gesicht grell von dunkelrotem Feuerschein beleuchtet wird.) Der Teig ist gar, wir können voran machen. Hei, wie im Ofen die Scheite krachen! (Sie schiebt noch ein paar Scheite unter,- die Flammen schlagen hoch hinaus und sinken wieder zusammen. Die Hexe, vergnügt, reibt sicb die Hände.) Ja, Gretelchen, wirst bald ein Brätelchen! Schau, schau! Schau, wie schlau! Sollst gleich im Backofen hucken, und nach den Lebkuchen gucken! Bist du dann drin, schwaps! geht die Tür, Dann ist fein Gretelchen mein Brätelchen! Das Brätlein, das soll sich verwandeln in Kuchen mit Zucker und Mandeln! Im Zauberofen mein wirst du ein Lebkuchen fein! Schau, schau, wie schlau! Hi hi, hi hi (usw.) (In wilder Freude ergreift sie einen Besen und setzt sich rittlings darauf.) Hurr hopp hopp hopp, Galopp lopp lopp, mein Besengaul, hurr hopp nit faul! (Sie reitet ausgelassen auf dem Besen umher.) So wie ich s mag, am lichten Tag spring kreuz und quer um s Häuschen her! (Sie reitet wieder. Gretel steht währenddem lauschend am Fenster.) Bei dunkler Nacht, wenn niemand wacht, zum Hexenschmaus am Schornstein raus! Aus fünf und sechs, so sagt die Hex , mach sieb n und acht, so ist s vollbracht, und neun ist eins und zehn ist keins und viel ist nichts, die Hexe spricht s! So reitet sie bis morgens früh! (Mit tollen Sprüngen reitet sie dem Hintergrunde zu und verschwindet zeitweilig hinter dem Knusperhäuschen. Wiederum sichtbar geworden, kommt die Hexe zum Vordergrunde, wo sie plötzlich anhält und absteigt.) Prr! Besen, hüh! (Sie hinkt zum Stalle zurück und kitzelt Hänsel mit einem Besenreis wach.) Auf, wach auf, mein Jüngelchen, zeig mir dein Züngelchen! (Hänsel streckt die Zunge heraus.) Schlicker, schlecker! Mm, mm, mm! Lecker, lecker! Mm, mm, mm! Kleines leckeres Schlingelchen, zeig mir dein Fingerchen! (Hänsel steckt ein Stöckchen heraus.) Jemine! O je! wie ein Stöckchen, o weh! Bübchen, deine Fingerchen sind elende Dingerchen! (rufend) Mädel! Gretel! (Gretel zeigt sich an der Türe.) Bring Rosinen und Mandeln her, Hänsel meint, es schmeckt nach mehr! (Gretel springt ins Haus und kehrt alsbald mit einem Körbchen voll Rosinen und Mandeln zurück.) GRETEL Da sind die Mandeln! (Sie stellt sich, während die Hexe den Hänsel füttert, hinter sie und macht mit dem Wacholder die Entzauberungsgebärde.) (leise) Hokus pokus Holderbusch, schwinde Gliederstarre, husch! HEXE (sich rasch umwendend) Was sagtest du, mein GänseIchen? (Hänsel regt sich wieder.) GRETEL (etwas verwirrt) Meint nur Wohl bekomm s, mein Hänselchen! HEXE He? GRETEL (lauter) Wohl bekomm s, mein Hänselchen! HEXE Hi hi hi! Mein gutes Tröpfchen, da steck dir was ins Kröpfchen! (Steckt Greteln eine Rosine in den Mund.) Friss, Vogel, oder stirb! Kuchenheil die erwirb! (Sie öffnet die Backofentüre, die Glut hat scheinbar etwas nachgelassen. Hänsel gibt Greteln währenddessen lebhafte Zeichen.) HÄNSEL (leise die Stalltüre öffnend) Schwesterlein, hüt dich fein! HEXE (Gretel gierig betrachtend) Wie wässert mir das Mündchen nach diesem süssen Kindchen! Komm, Gretelchen, Zuckermädelchen! (Gretel tritt heran.) Sollst in den Backofen hucken und nach den Lebkuchen gucken. Sorgfältig schaun, ja! ob sie schon braun da, oder ob s zu früh s ist kleine Müh ! (Gretel zaudert.) HÄNSEL (aus dem Stalle schleichend) Schwesterlein, hüt dich fein! GRETEL (sich ungeschickt stellend) Ei, wie fang ich s an, dass ich komme dran? HEXE Musst dich nur eben ein bisschen heben! Kopf vorgebeugt, s ist kinderleicht! HÄNSEL (Gretel am Kleide zurückhaltend) Schwesterlein, hüt dich fein! GRETEL (schüchtern) Bin gar so dumm, nimm mir s nicht krumm! Drum zeig mir eben Wie soll ich mich denn heben? HEXE (macht eine ungeduldige Bewegung) Kopf vorgebeugt, s ist kinderleicht! (Sie schickt sich murrend an, in den Backofen au kriechen, indem sie sich mit halbem Leibe vorbeugt, geben ihr Hänsel und Gretel einen derben Stoss, so dass sie vollends hineinfliegt, und schlagen dann rasch die Tür zu.) GRETEL, HÄNSEL (ihr nachspottend) "Und bist du dann drin, schwaps! geht die Tür, klaps! " Du bist dann statt Gretelchen ... ein Brätelchen! (Hänsel und Gretel fallen sich jubelnd In die Arme.) Juch-hei! Nun ist die Hexe tot, mausetot, und aus die Not! Juch-hei! Nun ist die Hexe still, mäuschenstill, Kuchen gibt s die Füll . Nun ist zu End der Graus, Hexengraus, und der Spuk ist aus! (sie fassen sich bei der Hand.) Ja, lass uns fröhlich sein, tanzen im Feuerschein, halten im Knusperhaus herrlichsten Freudenschmaus. Heil juch-hei, juch-hei! usw. (Sie umfassen sich und walzen miteinander. erst im Vordergrunde dann allmählich in der Richtung auf das Knusperhäuschen zu. Als sie beim Knusperhäuschen angekommen sind, reisst sich Hänsel von Gretel los, eilt ins Häuschen, indem er die Türe hinter sich zuschlägt und wirft Gretel durch die obere Luke Äpfel, Birnen, Apfelsinen, vergoldete Nüsse und allerhand Zuckerwerk in die aufgehaltene Schürze. Mittlerweile fängt der Hexenofen gewaltig an zu knistern; die Flamme schlägt hoch empor. Dann gibt s einen starken Krach, und der Ofen stürzt donnernd zusammen. Hänsel und Gretel, die vor Schreck ihre Beute fallen lässt, eilen bestürzt herbei und stehen wie erstarrt da. Ihre Verwunderung steigt aufs Höchste, als sie die Reihen der Kinder um sich herum gewahr werden, deren Kuchenhülle mittlerweile abgefallen ist.) HÄNSEL Da, sieh nur die artigen Kinderlein! GRETEL Wo mögen die hergekommen sein? KUCHENKINDER (regungslos, mit geschlossenen Augen, wie zuvor die Kuchenfiguren) Erlöst, befreit, für alle Zeit! GRETEL Geschlossen sind ihre Äugelein; sie schlafen und singen doch so fein! KUCHENKINDER O rühr mich an, dass ich erwachen kann! HÄNSEL (verlegen) Rühr du sie doch an, ich trau mir s nicht! GRETEL Ja, streicheln wir dies hübsche Gesicht! (Sie streichelt das nächste Kind, dieses öffnet die Augen und lächelt.) KUCHENKINDER O rühr auch mich, auch mich rühr an, dass ich die Äuglein öffnen kann! (Gretel geht streichelnd zu den übrigen Kindern, die lächelnd die Augen öffnen, ohne sich zu rühren; inzwiscben ergreift Hänsel den Wacholder.) HÄNSEL Hokus pokus Holderbusch! Schwinde, Gliederstarre, husch! (Die Kinder springen auf und stürzen von allen Seiten herbei.) KUCHENKINDER Habt Dank, habt Dank eu r Leben lang! (Die Kinder schliessen sich zu einem Ringelreihen um Hänsel und Gretel.) Die Hexerei ist nun vorbei, nun singen und springen wir froh und frei! Kommt, Kinderlein, zum Ringelreih n! reicht alle euch die Händchen fein! Drum singt und springt, drum tanzt und singt, denn Kuchenheil uns allen winkt, Drum singt und springt (usw.) dass laut der Jubelruf durchdringt den Wald, und rings erschallt von Lust der Wald! (zurücktretend) Habt Dank! Habt Dank! HÄNSEL Die Englein haben s im Traum gesagt in stiller Nacht... (Je vier Kuchenkinder umringen Hänsel und Gretel und verbeugen sich zierlich vor ihnen.) ...was nun so herrlich... der Tag hat wahr gemacht. KUCHENKINDER Lob und Dank! GRETEL Ihr Englein, die uns so treu bewacht bei Tag und Nacht, euch sei Lob und Dank für all die Pracht, die hier uns lacht, die uns so wonnig lacht! HÄNSEL Ihr Englein, die uns so treulich bewacht bei Tag und Nacht, habt Lob und Dank, habt Lob und Dank für all die Pracht, die so wonnig uns lacht! KUCHENKINDER Habt Lob und Dank für all die Pracht die hier uns lacht! Habt Dank eu r Leben lang! (usw.) (Alle drängen sich hinzu, um Hänsel und Gretel die Hände zu schütteln.) ALLE Habt Lob und Dank usw. DER VATER (hinter der Szene) Ral-la-la-la, ral-la-la-la, wären doch uns re Kinder da! Ral-la-la-ia, ral-la-ia-la-ia, Juch! Ei, da sind sie ja! (Der Vater erscheint mit der Mutter im Hintergrunde und hält an, als er die Kinder erblickt.) HÄNSEL (ihnen entgegeneilend) Vater! Mutter! GRETEL (ebenso) Vater! Mutter! DIE MUTTER Kinderchen! DER VATER Da sind ja die armen Sünderchen! (Frohe Umarmung. Unterdessen haben zwei Knaben die Hexe als grossen Lebkuchen aus den Trümmern des Zauberofens gezogen. Bei ihrem Anblick bricht alles in ein Jubelgeschrei aus.) ALLE Hei! DER VATER Kinder, schaut das Wunder an, wie die Hexe hexen kann, wie sie hart, knusperhart selber nun zum Kuchen ward! ALLE ÜBRIGEN Schaut, o schaut das Wunder an, wie die Hexe hexen kann, wie sie hart, knusperhart, selber nun zum Kuchen ward! (Die beiden Knaben tragen die Hexe ins Knusperhäuschen.) DER VATER Merkt des Himmels Strafgericht Böse Werke dauern nicht. Wenn die Not aufs höchste steigt, Gott der Herr sich gnädig zu uns neigt! Ja, wenn die Not aufs höchste steigt, Gott der Herr die Hand uns reicht! GRETEL, HÄNSEL, DIE MUTTER, KUCHENKINDER Wenn die Not aufs höchste steigt, (mit dem Vater) Gott der Herr die Hand uns reicht! (Indem die Kinder einen lustigen Reigen um die Gruppe tanzen, fällt der Vorhang.) この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@ 藤井宏行 Humperdinck,Engelbert/Hänsel und Gretel

  • orange_sherbet @ ウィキ - Random Chatting Page

    https://w.atwiki.jp/orange_sherbet/pages/37.html

    This is Masumi. I am sorry for making a new page without any permission... if anyone thinks this is inappropriate, please delete the page. If interested you may take a look ( ) also I hope this relieves you from stress. ? lol Doing this project, I figured out how there are so many funny expressions in Japanese that does not exist in English. Like what we talked randomly during discussion, we talked about how "doki-doki" "sara-sara" does not really exist. Onomatopoeia, right? Then how can people express the feelings in English?! If you were to explain "doki-doki" in English, wouldn t it be so hard? It may sound like saying it roundabout. whatshouldmacallit. Expression - Japanese people might be shy in expressing something, so they have these very useful expression words. In contrast, American people do not need them because they are not shy! I am sorry for making random analysis. I know this has nothing to do with the project... Just out of curiosity, does Tagalog have any onomatopoeias? Some Asian language such as Japanese and Korean has them. Or does anyone know any other language that has onomatopoeias? -- Jin (2008-02-20 00 58 32) where is the edit this page button? or am i just going crazy? -- courtney (2008-02-20 01 41 35) cause actually i just wanted to say that there is nothing wrong with having a random discussion page. we re just cool like that. also i wanted to say....out project was the best. no offense to the other groups or anything... -- 名無しさん (2008-02-20 01 42 25) also....all lanugages have onomatop.... yeah. they all have them. but japanese is DEFNITELY one of the languages with the most. in english if we wanted to express doki doki, it woudl just be like....." i was sooo nervous that my hands were sweating!" or soemthing like that. basically we would use other phenomenon to *explain* the feeling rather than rely on the connotation of an onomatopea word! -- 名無しさん (2008-02-20 01 45 33) lol, thanx~!! I thought some ppl might be "donbiki"ed (translation "uhh, what the hell") and yeah! our project IS awesome!!! -- masumi (2008-02-20 16 04 34) oops, I meant, by making random page, I thought ppl would be donbikied by me lolz. btw, I made the edit button just for courtney! yeah, too bad you have to explain the feeling, which is pretty time consuming... dokidoki ("my heart is twinkling and twirling along with the heartpump, with or with no hope of something coming up...") ahh dunno-- -- masumi (2008-02-20 16 10 50) 名前 コメント extra I ve found some pages related to onomatopoeia issues. http //blog.livedoor.jp/fairypot/archives/51312664.html "Should Onomatopoeias in Japanese comics be translated?" http //www.howtodrawmanga.com/kdms1/kdms1000.html こんなものまであるのか！（笑） extra pointless thing I thought this was funny. http //www.youtube.com/watch?v=AJSTj9e9MQ0 How do you ... translate TOKIMEKI!!! note I am not a fan of wat don t worry lol Masumi Moto courtney, feb 20 21 30 hahaha thank you so much!! im lost without the "edit page" button... but dont you think its more fun to describe your feelings like that?? you can be more creative!! Edit this page whee

  • Anne of Green Gables　のぺーじ - CHAPTER X

    https://w.atwiki.jp/pyopyo0124/pages/53.html

    CHAPTER IX UP CHAPTER XI CHAPTER X Anne s Apology Marilla said nothing to Matthew about the affair that evening; but when Anne proved still refractory the next morning an explanation had to be made to account for her absence from the breakfast table. Marilla told Matthew the whole story, taking pains to impress him with a due sense of the enormity of Anne s behavior. "It s a good thing Rachel Lynde got a calling down; she s a meddlesome old gossip," was Matthew s consolatory rejoinder. "Matthew Cuthbert, I m astonished at you. You know that Anne s behavior was dreadful, and yet you take her part! I suppose you ll be saying next thing that she oughtn t to be punished at all!" "Well now--no--not exactly," said Matthew uneasily. "I reckon she ought to be punished a little. But don t be too hard on her, Marilla. Recollect she hasn t ever had anyone to teach her right. You re--you re going to give her something to eat, aren t you?" "When did you ever hear of me starving people into good behavior?" demanded Marilla indignantly. "She ll have her meals regular, and I ll carry them up to her myself. But she ll stay up there until she s willing to apologize to Mrs. Lynde, and that s final, Matthew." Breakfast, dinner, and supper were very silent meals--for Anne still remained obdurate. After each meal Marilla carried a well-filled tray to the east gable and brought it down later on not noticeably depleted. Matthew eyed its last descent with a troubled eye. Had Anne eaten anything at all? When Marilla went out that evening to bring the cows from the back pasture, Matthew, who had been hanging about the barns and watching, slipped into the house with the air of a burglar and crept upstairs. As a general thing Matthew gravitated between the kitchen and the little bedroom off the hall where he slept; once in a while he ventured uncomfortably into the parlor or sitting room when the minister came to tea. But he had never been upstairs in his own house since the spring he helped Marilla paper the spare bedroom, and that was four years ago. He tiptoed along the hall and stood for several minutes outside the door of the east gable before he summoned courage to tap on it with his fingers and then open the door to peep in. Anne was sitting on the yellow chair by the window gazing mournfully out into the garden. Very small and unhappy she looked, and Matthew s heart smote him. He softly closed the door and tiptoed over to her. "Anne," he whispered, as if afraid of being overheard, "how are you making it, Anne?" Anne smiled wanly. "Pretty well. I imagine a good deal, and that helps to pass the time. Of course, it s rather lonesome. But then, I may as well get used to that." Anne smiled again, bravely facing the long years of solitary imprisonment before her. Matthew recollected that he must say what he had come to say without loss of time, lest Marilla return prematurely. "Well now, Anne, don t you think you d better do it and have it over with?" he whispered. "It ll have to be done sooner or later, you know, for Marilla s a dreadful deter- mined woman--dreadful determined, Anne. Do it right off, I say, and have it over." "Do you mean apologize to Mrs. Lynde?" "Yes--apologize--that s the very word," said Matthew eagerly. "Just smooth it over so to speak. That s what I was trying to get at." "I suppose I could do it to oblige you," said Anne thoughtfully. "It would be true enough to say I am sorry, because I AM sorry now. I wasn t a bit sorry last night. I was mad clear through, and I stayed mad all night. I know I did because I woke up three times and I was just furious every time. But this morning it was over. I wasn t in a temper anymore--and it left a dreadful sort of goneness, too. I felt so ashamed of myself. But I just couldn t think of going and telling Mrs. Lynde so. It would be so humiliating. I made up my mind I d stay shut up here forever rather than do that. But still--I d do anything for you--if you really want me to--" "Well now, of course I do. It s terrible lonesome downstairs without you. Just go and smooth things over-- that s a good girl." "Very well," said Anne resignedly. "I ll tell Marilla as soon as she comes in I ve repented." "That s right--that s right, Anne. But don t tell Marilla I said anything about it. She might think I was putting my oar in and I promised not to do that." "Wild horses won t drag the secret from me," promised Anne solemnly. "How would wild horses drag a secret from a person anyhow?" But Matthew was gone, scared at his own success. He fled hastily to the remotest corner of the horse pasture lest Marilla should suspect what he had been up to. Marilla herself, upon her return to the house, was agreeably surprised to hear a plaintive voice calling, "Marilla" over the banisters. "Well?" she said, going into the hall. "I m sorry I lost my temper and said rude things, and I m willing to go and tell Mrs. Lynde so." "Very well." Marilla s crispness gave no sign of her relief. She had been wondering what under the canopy she should do if Anne did not give in. "I ll take you down after milking." Accordingly, after milking, behold Marilla and Anne walking down the lane, the former erect and triumphant, the latter drooping and dejected. But halfway down Anne s dejection vanished as if by enchantment. She lifted her head and stepped lightly along, her eyes fixed on the sunset sky and an air of subdued exhilaration about her. Marilla beheld the change disapprovingly. This was no meek penitent such as it behooved her to take into the presence of the offended Mrs. Lynde. "What are you thinking of, Anne?" she asked sharply. "I m imagining out what I must say to Mrs. Lynde," answered Anne dreamily. This was satisfactory--or should have been so. But Marilla could not rid herself of the notion that something in her scheme of punishment was going askew. Anne had no business to look so rapt and radiant. Rapt and radiant Anne continued until they were in the very presence of Mrs. Lynde, who was sitting knitting by her kitchen window. Then the radiance vanished. Mournful penitence appeared on every feature. Before a word was spoken Anne suddenly went down on her knees before the astonished Mrs. Rachel and held out her hands beseechingly. "Oh, Mrs. Lynde, I am so extremely sorry," she said with a quiver in her voice. "I could never express all my sorrow, no, not if I used up a whole dictionary. You must just imagine it. I behaved terribly to you--and I ve disgraced the dear friends, Matthew and Marilla, who have let me stay at Green Gables although I m not a boy. I m a dreadfully wicked and ungrateful girl, and I deserve to be punished and cast out by respectable people forever. It was very wicked of me to fly into a temper because you told me the truth. It WAS the truth; every word you said was true. My hair is red and I m freckled and skinny and ugly. What I said to you was true, too, but I shouldn t have said it. Oh, Mrs. Lynde, please, please, forgive me. If you refuse it will be a lifelong sorrow on a poor little orphan girl, would you, even if she had a dreadful temper? Oh, I am sure you wouldn t. Please say you forgive me, Mrs. Lynde." Anne clasped her hands together, bowed her head, and waited for the word of judgment. There was no mistaking her sincerity--it breathed in every tone of her voice. Both Marilla and Mrs. Lynde recognized its unmistakable ring. But the former under- stood in dismay that Anne was actually enjoying her valley of humiliation--was reveling in the thoroughness of her abasement. Where was the wholesome punishment upon which she, Marilla, had plumed herself? Anne had turned it into a species of positive pleasure. Good Mrs. Lynde, not being overburdened with perception, did not see this. She only perceived that Anne had made a very thorough apology and all resentment vanished from her kindly, if somewhat officious, heart. "There, there, get up, child," she said heartily. "Of course I forgive you. I guess I was a little too hard on you, anyway. But I m such an outspoken person. You just mustn t mind me, that s what. It can t be denied your hair is terrible red; but I knew a girl once--went to school with her, in fact--whose hair was every mite as red as yours when she was young, but when she grew up it darkened to a real handsome auburn. I wouldn t be a mite surprised if yours did, too--not a mite." "Oh, Mrs. Lynde!" Anne drew a long breath as she rose to her feet. "You have given me a hope. I shall always feel that you are a benefactor. Oh, I could endure anything if I only thought my hair would be a handsome auburn when I grew up. It would be so much easier to be good if one s hair was a handsome auburn, don t you think? And now may I go out into your garden and sit on that bench under the apple-trees while you and Marilla are talking? There is so much more scope for imagination out there." "Laws, yes, run along, child. And you can pick a bouquet of them white June lilies over in the corner if you like." As the door closed behind Anne Mrs. Lynde got briskly up to light a lamp. "She s a real odd little thing. Take this chair, Marilla; it s easier than the one you ve got; I just keep that for the hired boy to sit on. Yes, she certainly is an odd child, but there is something kind of taking about her after all. I don t feel so surprised at you and Matthew keeping her as I did--nor so sorry for you, either. She may turn out all right. Of course, she has a queer way of expressing herself-- a little too--well, too kind of forcible, you know; but she ll likely get over that now that she s come to live among civilized folks. And then, her temper s pretty quick, I guess; but there s one comfort, a child that has a quick temper, just blaze up and cool down, ain t never likely to be sly or deceitful. Preserve me from a sly child, that s what. On the whole, Marilla, I kind of like her." When Marilla went home Anne came out of the fragrant twilight of the orchard with a sheaf of white narcissi in her hands. "I apologized pretty well, didn t I?" she said proudly as they went down the lane. "I thought since I had to do it I might as well do it thoroughly." "You did it thoroughly, all right enough," was Marilla s comment. Marilla was dismayed at finding herself inclined to laugh over the recollection. She had also an uneasy feeling that she ought to scold Anne for apologizing so well; but then, that was ridiculous! She compromised with her conscience by saying severely "I hope you won t have occasion to make many more such apologies. I hope you ll try to control your temper now, Anne." "That wouldn t be so hard if people wouldn t twit me about my looks," said Anne with a sigh. "I don t get cross about other things; but I m SO tired of being twitted about my hair and it just makes me boil right over. Do you suppose my hair will really be a handsome auburn when I grow up?" "You shouldn t think so much about your looks, Anne. I m afraid you are a very vain little girl." "How can I be vain when I know I m homely?" protested Anne. "I love pretty things; and I hate to look in the glass and see something that isn t pretty. It makes me feel so sorrowful--just as I feel when I look at any ugly thing. I pity it because it isn t beautiful." "Handsome is as handsome does," quoted Marilla. "I ve had that said to me before, but I have my doubts about it," remarked skeptical Anne, sniffing at her narcissi. "Oh, aren t these flowers sweet! It was lovely of Mrs. Lynde to give them to me. I have no hard feelings against Mrs. Lynde now. It gives you a lovely, comfortable feeling to apologize and be forgiven, doesn t it? Aren t the stars bright tonight? If you could live in a star, which one would you pick? I d like that lovely clear big one away over there above that dark hill." "Anne, do hold your tongue." said Marilla, thoroughly worn out trying to follow the gyrations of Anne s thoughts. Anne said no more until they turned into their own lane. A little gypsy wind came down it to meet them, laden with the spicy perfume of young dew-wet ferns. Far up in the shadows a cheerful light gleamed out through the trees from the kitchen at Green Gables. Anne suddenly came close to Marilla and slipped her hand into the older woman s hard palm. "It s lovely to be going home and know it s home," she said. "I love Green Gables already, and I never loved any place before. No place ever seemed like home. Oh, Marilla, I m so happy. I could pray right now and not find it a bit hard." Something warm and pleasant welled up in Marilla s heart at touch of that thin little hand in her own--a throb of the maternity she had missed, perhaps. Its very unaccustomedness and sweetness disturbed her. She hastened to restore her sensations to their normal calm by inculcating a moral. "If you ll be a good girl you ll always be happy, Anne. And you should never find it hard to say your prayers." "Saying one s prayers isn t exactly the same thing as praying," said Anne meditatively. "But I m going to imagine that I m the wind that is blowing up there in those tree tops. When I get tired of the trees I ll imagine I m gently waving down here in the ferns--and then I ll fly over to Mrs. Lynde s garden and set the flowers dancing--and then I ll go with one great swoop over the clover field--and then I ll blow over the Lake of Shining Waters and ripple it all up into little sparkling waves. Oh, there s so much scope for imagination in a wind! So I ll not talk any more just now, Marilla." "Thanks be to goodness for that," breathed Marilla in devout relief. CHAPTER IX UP CHAPTER XI 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 29 12 (Tue)

  • As Palavras Que Me Encaminharao - No Braseiro

    https://w.atwiki.jp/as-palavras/pages/22.html

    No Braseiro　火鉢の中で Composição Pedro Luís Mas tá um trem de doido, êta confusão 
Parece natural andar na contramão. でも、狂った電車が、混乱し進む。 逆走するのが自然みたい。 Tão vendendo ingresso 
Pra ver nego morrer no osso 
Vou fechar a janela
 Pra ver se não ouço 
As mazelas dos outros. 友人が骨に埋もれて死ぬのを見るために、 チケットを沢山売っている。 他人の悪行を 耳にしたくないのであれば、見えるように、 窓を閉める。 Mas tá um trem de doido, êta confusão
 Parece natural andar na contramão. でも、狂った電車が、混乱して走っていて、 全てが、逆走するのが自然みたい。 Tão vendendo ingresso
 Pra ver nego morrer no osso
 Vou fechar a janela
 Pra ver se não ouço
 As mazelas dos outros. 友人が骨に埋もれて死ぬのを見るために チケットを沢山売って、 他人の悪行を もし耳にしたくないなら、よく見えるように、 窓を閉める。 Perdeu-se a moral e reina a falta de vergonha
 Mania nacional é ver o outro se dar mal 
O caso de polícia é corriqueiro, é todo dia 
Felicidade é bom 
Eu quero paz, justiça, alegria... モラルが無くなり、羞恥心の欠如が蔓延する。 他人がしくじるのを眺めるお国柄。 警察の場合は当たり前、毎日だ。 幸せは結構なことで、 私は、平和、正義、喜びが欲しい… Moramos no braseiro, a coisa aqui tá quente 
O ano inteiro eu corro atrás, não sei de quê exatamente. 火鉢の中で生きていて、ここのものは熱い。 年中私は後に付いて走り回る、何の後ろかはよくわからない。 Perdeu-se a moral e reina a falta de vergonha 
Mania nacional é ver o outro se dar mal 
O caso de polícia é corriqueiro, é todo dia 
Felicidade é bom
 Eu quero paz, justiça, alegria... モラルが無くなり、羞恥心の欠如が蔓延する。 他人がしくじるのを眺めるお国柄。 警察の場合は当たり前、毎日だ。 幸せは結構なことで、 私は、平和、正義、喜びが欲しい… Quero justiça, alegria e quero paz, 
Mas com direitos iguais, como já disse Tosh 
E quero mais que um milhão de amigos do RC 
Ser como Luís e suas maravilhas do mundo quero comer 
Quero me esconder debaixo da saia da minha amada
 Como Martinho da Vila, em ancestral batucada 
Eu quero é botar eu bloco na rua, qual Sampaio 
Quero o sossego de Tim Maia olhando um céu azul de maio
 Eu quero é mel, como cantou Melodia
 Quero enrolar-me em teus cabelos
 Como disse Wando à moça um dia 
Quero ficar no teu corpo, como Chico em Tatuagem 
E quero morrer com os bambas de Ataulfo bem mais tarde
 Só que bem mais tarde
 Eu quero ir pra ver Irene rir, como escreveu Veloso! 私は正義が欲しい。喜びも平和も欲しい。 でも、（ピーター）トッシュが言ったように、平等な権利とともに。※1 ホベルト・カルロスの沢山の友達よりも、ずっと多くの友達が欲しい。※2 ルイスのようでありたい。世界中の驚異を食べたい。※3 私の恋人のスカートの下に隠れたい。 マルチーニョ・ダ・ヴィオラのように、先祖伝来のリズムで。※4 私は、路上のブロコに出て行きたい。何とかサンパイオみたいに。※5 ５月の青空を眺めるチン・マイアの落ち着きが欲しい。※6 私が欲しいのは蜜、（ルイス）メロヂアが歌ったように。※7 あなたの髪の中に巻き込まれたい。 昔、ヴァンドが女の子に言ったように。※8 シコが「タトゥアージェン」で歌ったように、貴方の体の上にいたい。 アタウルフォ（アウヴィス）の幸運とともに、ずっと後になって死にたい。※9 もっとずっと後になって。 イレーニが笑うのを見に行きたいわ。カエターノが書いたように。※10 ※1　‪Peter Tosh‬の“Equal Rights”の一節より ※2　Roberto Carlosの“Eu Quero Apenas”の一節より ※3　Luís Capuchoの“Romena”の一節より ※4　Martinho da Vilaの“Disritmia”‪の‬一節より ※5　Sergio Sampaioの“Eu quero é botar o meu bloco na rua”‪の‬一節より ※6　Tim Maiaの“Sossego”の一節より ※7　Luiz Melodiaの“Questão de Posse”の一節より ※8　Wandoの“Moça”の一節より ※9　Ataulfo Alvesの“Na Cadência do Samba”の一節より ※10　Caetano Velosoの“Irene”の一節より

  • 東方同人CDの歌詞＠Wiki - 03 ChanGe! Chained My Heart

    https://w.atwiki.jp/touhoukashi/pages/2635.html

    【登録タグ A-One C TOHO EUROBEAT VOL.15 妖々夢 miko あき ティアオイエツォン（withered leaf） 曲 越田Rute隆人 遠野幻想物語】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*

  • Art of War : Red Tides@wiki - Grenade Launcher

    https://w.atwiki.jp/aowredtides/pages/37.html

    Grenade Launcher imageプラグインエラー 画像URLまたは画像ファイル名を指定してください。 ステータス Cost 200 Attack 8 Research 0 Speed 9.00 HP 20 Population 1 Armor 2 属性 アビリティ Grenade Launcher Cooldown 1.80[s] 対象数 2 Range 15 備考 対地、着弾点より半径4以内 Damage 8 アップグレード レベル 効果 数値 1 爆発ダメージ増加 +7% 2 攻撃対象数増 +1 3 対生物ユニットでのダメージ増加 +150% 上位ユニット 自身が最上位ユニット 説明

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